Interference Tetzontequiliztli Toltecayotl ītēchcopa Lai Jiebin

Tlanāhuatīlli Interference Tetzontequiliztli Toltecayotl ītēchcopa Lai Jiebin cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Iztacteocuitlatl īpan Toltecayotl ihuan Toltecayotl Tlatlaliliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlToltecayotl· 2023

Interference Tetzontequiliztli Toltecayotl

īpal Lai Jiebin

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Toltecayotl Tlamantli

54,789

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #148173

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Interference Tetzontequiliztli Toltecayotl

In cuahuitl inezcayotl quinextia tlalticpac, auh in tilmatli quinextia tlacatl itequiuh ipan tlalticpac. In tequitl quitocatillia in yancuic tlalticpac ica in huelitiliztli tlacatl quipantilia, quinchihua ce nemilizcali ica nemiliztli ipan tlalticpac iteicneliliz, auh quichihua cuahuitl inezcayotl inic Song Tlatocayotl amoxpohqueh intlacuilol ipan tetzontequiliztli. In ihcuac tlacah quittatoh inin tequitl, yolnonotzazqueh canin tlacah oyahqueh auh in nepanoliztli tlalticpac ihuan tlacah mani.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Interference Tetzontequiliztli Toltecayotl ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Interference Tetzontequiliztli Toltecayotl ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Interference Tetzontequiliztli Toltecayotl quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The tree shape symbolizes nature, and the cloth on it symbolizes the interference of human forces in nature. It collides the primitive nature of nature with the possibility of human interference, suggesting that although the environmental situation of today's highly developed earth looks very beautiful, it has major hidden dangers. When people stare at the works, they think about the future of mankind and the relationship between nature and mankind.
Huēyiliztli īhuān Tlacualtepēhualli: Each monomer is about 4.8m long, 1.5m wide and 2.5m high
Tōcāitl: Sculpture, public art, contemporary art, ecological art
Tlachīhualiztli Māchiyōtl: Transparent resin is selected for material creation through 3D printing technology to explore the performance of 3D printing technology in the context of contemporary art, create a tragic scene space with the theme of ecology, reflect the natural attribute, spatial expression and artistic conception transmission of transparent resin, apply the modeling elements of trees in Chinese traditional literati paintings of Song Dynasty to sculpture, and retain Chinese classical aesthetics, Make the whole work present an elegant state.
Tlanāhuatīlli Nētēcahuilīztli: Create a visual and touchable artistic image with a certain space, so as to reflect social life and express aesthetic feeling, aesthetic emotion and aesthetic ideal
Tlatēmōliztli: The emergence of ecological art reflects people's reflection and Reflection on the consciousness of environmental damage, and is the expression of the progress of the times. As a work of public art, with the eyes of criticism and reflection, it has more profound value and contribution to the disclosure of the contradiction between man and nature, and can also reflect the level of civilization.
Tēyōllālīliztli: The inspiration comes from the author's childhood rural life. In the process of perceiving the "tree" since childhood, what lingers is that the "tree" is used in the form of tools to provide daily necessities and "service" for drying quilt covers for people living nearby. The author felt sad about the "pressure" of trees since childhood. Why should a tree bear so much weight for mankind. Nowadays, people's interference with nature is more like one quilt after another
Tēquitl Cāhuitl: The project was completed in April 2022, and was exhibited in Shandong Art Museum in May 2022, 798 Art District in Beijing in June 2022, and the Himalayan Art Museum in Shanghai in December 2022. It is now collected by Zhuhai Huanyu City
Tēquitl Ōhuitl: Compared with literati paintings in other times, Chinese literati paintings in Song Dynasty have more obvious characteristics, rich ideas and simple painting style, which has great reference value for the current painting art. The shape of the tree in the works is inspired by the literati painting of the Song Dynasty. Through repeated deliberation on the tree language in the literati painting of the Song Dynasty, it is finally presented in its own works.
Īxiptla Tlanēxtīlli: Image # 1, # 2, # 3, # 4, # 5 artist Lai jiebin