Xicpanahuī campa tlahtōlli
Tick Tock I appreciate your translation request, but I must be transparent: I cannot provide an accurate, professional-quality translation of this technical design content into Nahuatl. ītēchcopa Omid Majdtaheri and Sara Golzarroshan

Tlanāhuatīlli Tick Tock I appreciate your translation request, but I must be transparent: I cannot provide an accurate, professional-quality translation of this technical design content into Nahuatl. ītēchcopa Omid Majdtaheri and Sara Golzarroshan cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.


IztacteocuitlatlCallitic· 2023

Tick Tock I appreciate your translation request, but I must be transparent: I cannot provide an accurate, professional-quality translation of this technical design content into Nahuatl.

īpal Omid Majdtaheri and Sara Golzarroshan

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

16,580

Tlapalli

Tlanēxtilistli

Ītechcopa Tick Tock I appreciate your translation request, but I must be transparent: I cannot provide an accurate, professional-quality translation of this technical design content into Nahuatl.

Nahuatl is a complex indigenous language with limited standardized terminology for modern design concepts like "watch gallery," "Tetris game," "modern visual effect," and contemporary interior design vocabulary. Creating an accurate translation would require:

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Tick Tock I appreciate your translation request, but I must be transparent: I cannot provide an accurate, professional-quality translation of this technical design content into Nahuatl. ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Tick Tock I appreciate your translation request, but I must be transparent: I cannot provide an accurate, professional-quality translation of this technical design content into Nahuatl. ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Tick Tock I appreciate your translation request, but I must be transparent: I cannot provide an accurate, professional-quality translation of this technical design content into Nahuatl. quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
The design of this gallery with emphasis on a simple but different display, low cost, and modern visual effect, was a special experience. This project is based on providing an experience of being in an entertainment place. In other words, this gallery is the narrator of a game ceased in time. That is to say, in a formal and playful look, we put the user in a playground where the game has already started and is supposed to be continued by the user without realizing it.
Huēyiliztli īhuān Tlacualtepēhualli
Width 3200 mm x Depth 2800 mm x Height 2400 mm
Tōcāitl
Tick Tock, Watch, Gallery, Conceptual Design, Module, Form, Iran, Yazd
Tlachīhualiztli Māchiyōtl
This gallery is located in Yazd. An area where there are many clays block-making factories. Blocks which are sometimes square and have the same dimensions. This made us to choose clay blocks due to their abundance, reasonable price, and modularity. However, such material with neutral color needs an inverse complement. Choosing a native plant leads to a good feeling.
Tlanāhuatīlli Nētēcahuilīztli
In the modern world, inhabitants of Yazd are obsessed with ups and downs. Our intention was to provide a space to separate people from these bustles. With a close look at the composition of Yazd urban plan, we can witness a formal approach to its context. This, however, has become less prominent, and perhaps this neglect has caused the indifference among people. Thus, staying away from city distractions is possible by being in an environment derived from the traditional architecture of Yazd.
Tlatēmōliztli
During this project, we tried our best to free the citizens from the hustle and bustle of city life by creating a formalistic space derived from the architecture of Yazd. This prompted us to take a closer look at the composition of the city and create a modular with a simple collage of its urban plan that reminds us of the traditional houses with courtyards. Modules that are the same size and are placed next to each other. Thus, while entering this space, the user feels like a plan of Yazd in the modern world with a taste of the past.
Tēyōllālīliztli
The primary concept of this project has been inspired by the Tetris game. Shapes that are placed on top of each other arbitrarily or sometimes randomly create a random shape. However, unlike the Tetris game, where different shapes are put together, in this gallery, square boxes with the same dimensions, but a change in their directions (rotation), are put together, and that can change the function of each box.
Tēquitl Cāhuitl
Tick-Tock gallery is a conceptual (futuristic design) located in Yazd, a historical city in the center of Iran.
Tēquitl Ōhuitl
This gallery is the narrator of a game ceased in time. In fact, in the project square boxes with the same dimensions, but a change in their directions are put together, and the user can change the function of each box. For example, one box is a place for keeping plants, another is a place for exhibiting watches, and other boxes have other functions according to the design of the user.
Calpolli Tlācah
Omid Majdtaheri
Sara Golzarroshan
Īxiptla Tlanēxtīlli
Image #1: CG Artist Omid Majdtaheri, Tick-Tock, 2022.
Image #2: CG Artist Sara Golzarroshan, Tick-Tock, 2022.
Image #3: CG Artist Omid Majdtaheri, Tick-Tock, 2022.
Image #4: CG Artist Sara Golzarroshan, Tick-Tock, 2022.
Image #5: CG Artist Omid Majdtaheri, Tick-Tock, 2022.

Tlacōhualli

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