The Shape of Old Memory Cihuatilmatli Centlamantli ītēchcopa Bingrou Chen

Tlanāhuatīlli The Shape of Old Memory Cihuatilmatli Centlamantli ītēchcopa Bingrou Chen cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Platino īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

PlatinoTlaquentiztli· 2023

The Shape of Old Memory Cihuatilmatli Centlamantli

īpal Bingrou Chen

Mahuizolli A' Design Award Platino Tēmacēhualōni īpan Tlaquentiztli Tlamantli

3,809,331

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #148885

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa The Shape of Old Memory Cihuatilmatli Centlamantli

Inin tlachihualtin oquizqueh ipan tlamatiliztli in tlatlacuilo campa huehuetlamachtli huel yancuicpa mochihua axcan tequitl ihuan quenin patiyoh. Huehuetlamachtli yuhqui teocuitlatl temoc huehcauh atl; nochtin tlacah quimatinih ca onca ihuan tlazohtic auh amo cah huel quiyocoyah. Intla amo motemolohtoc, polihuiz ihuan cahuaz, huel tlaocolli mochihuaz. Occe yancuicayotl ipan inin tequitl ca monamaca epoxica tzacualli AB, inin palehuia ma tequitl quipie cualli ixiptlayotl yuhqui tetenquiztli, ihuan, chicahuac tlachichihualiztli quichihua.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Platino

The Shape of Old Memory Cihuatilmatli Centlamantli ca in quicuic in Mahuizolli A' Design Award Platino, huel mahuiztic tlamahuizoliztli tlen momaca in tlachihualli in huel yectli ihuan huel hueyi. In quicuicah Platino quinextia hueyi tlamatiliztli ihuan toltecayotl intech tlachihuanime. Ca quinequi in ni tlachihualli quitlalizque in cualli ipan huehcauh tonalli, quimacazque cualli in altepetl ihuan quihuelitizque in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. The Shape of Old Memory Cihuatilmatli Centlamantli quinextia in huel hueyi cualli ihuan quicualtia in cemanahuac ica in tlen cualli. The Shape of Old Memory Cihuatilmatli Centlamantli ca tlachihualli in quicuic in Mahuizolli A' Design Award Platino ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The innovation of this design is mainly reflected in the application of special materials, the design of apparel structure and the innovative application of traditional Chinese Chaozhou embroidery pattern. The addition of epoxy resin AB glue makes the modeling of this series of clothes become stable like sculpture, more tension, but also more expressive. The application of traditional Chaozhou embroidery pattern makes the works more vibrant.
Huēyiliztli īhuān Tlacualtepēhualli: The whole collection is 4 look womenswear, size 4.
Tōcāitl: Fashion design, New material, Chinese traditional craft culture, Chinese traditional Chaozhou embroidery craft, Creative design, Costume sculpture
Tlachīhualiztli Māchiyōtl: The main technology of this series of works is the application of Epoxy resin AB adhesive. On the one hand, the material used in the edge of clothing cut can play an effective role in shaping and supporting, on the other hand, the material can also better fix other decorative materials on the clothing, has a good decorative effect.
Tlanāhuatīlli Nētēcahuilīztli: There are two main challenges in the creation process of this series of works. One is about the application of epoxy resin AB glue in costume, and the other is about the application of traditional Chinese Chaozhou embroidery craft culture in this work. In this series, I did not really apply embroidery techniques, but used metal bead chains to represent the extracted embroidery patterns. What I want to discuss is the new possibilities of traditional craft culture in contemporary design.
Tlatēmōliztli: This work focuses on the innovative application of new materials and traditional Chinese craft culture in fashion design. Its materials such as epoxy resin AB glue and metal bead chain that I used are relatively rare in the field of fashion design. Their addition not only well decorates the design, but also plays a good shaping role, making the costume more tense
In addition, the patterns in this work are all based on the Chinese traditional Chaozhou embroidery craft works.
Tēyōllālīliztli: The creation of this series of works comes from the my thinking on the innovative application of traditional craft culture in contemporary design and its innovative application value. Traditional craft culture is like a treasure sunk in the deep sea. We can perceive its existence and value, but rarely touch it. If we do not try to salvage it, we will only see it fade away and disappear, which is regrettable.
Tēquitl Cāhuitl: The project started in September 2021 in Guangzhou and finished in May 2022 in Guangzhou, and was exhibited in Guangzhou Academy of Fine Arts in June 2022.
Tēquitl Ōhuitl: This work is not only wearable clothing, but also can be regarded as decorative sculpture. Because of the application of epoxy resin AB glue in the work, the work can maintain a relatively beautiful shape stably even without the support of human body, and has good ornamental value.
Īxiptla Tlanēxtīlli: Image #No1:Photographer Akun, 2022
Image #No2:Photographer Akun, 2022
Image #No3:Photographer Akun, 2022
Image #No4:Photographer Akun, 2022
Image #No5:Photographer Akun, 2022