Waiting for the Wave in Metaverse Yancuic Machiyotl Tlahcuiloltin ītēchcopa Midori Yamazaki

Tlanāhuatīlli Waiting for the Wave in Metaverse Yancuic Machiyotl Tlahcuiloltin ītēchcopa Midori Yamazaki cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Bronse īpan Tepoztoltecayotl Nēhuilīztli Tlamantli.

BronseTepoztoltecayotl· 2024

Waiting for the Wave in Metaverse Yancuic Machiyotl Tlahcuiloltin

īpal Midori Yamazaki

Tlanāhuatīlli: Out of Blue

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tepoztoltecayotl Tlamantli

59,618

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #154231

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Waiting for the Wave in Metaverse Yancuic Machiyotl Tlahcuiloltin

Inin tlahcuilolli quiixcuitia in icac atl olini, cualli itech nehuapanaliztli, cualtzin neci huan quimaca tlachixque yectontli nenehualoni quemman oc ceppa. Omochiuh ipan ce yolchihualiztli nepantla machiyotl huan nenqui, momatlac neltiliztli huan ixiptlaneltiliztli ica tlatequipanoliztli EPFL. Yehyecoa quichihuaz ce nemiliztli ipan cemanahuacayotl huan quiyectlalia in chicahualiztli macehualnematiliztli in quipehpena yecnemiliztli inic quichihuaz ce cualli huiptla. Macehualnemohualiztli ayic patlaniz cemihcac, noihqui ipan ce huiptla campa neltiliztli yauh patztic.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Waiting for the Wave in Metaverse Yancuic Machiyotl Tlahcuiloltin ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Waiting for the Wave in Metaverse Yancuic Machiyotl Tlahcuiloltin ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Waiting for the Wave in Metaverse Yancuic Machiyotl Tlahcuiloltin quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Huēyiliztli īhuān Tlacualtepēhualli: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Tōcāitl: wave, nature, science, visualization, digitalart, digitalfabrication
Tlachīhualiztli Māchiyōtl: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Tlanāhuatīlli Nētēcahuilīztli: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
Tlatēmōliztli: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Tēyōllālīliztli: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Tēquitl Cāhuitl: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Tēquitl Ōhuitl: These are videos and static images as digital artworks.
Īxiptla Tlanēxtīlli: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.