Freeway Loud Tlanextilizyolitiliztli 3D ipan Tlachihualiztli ītēchcopa Mateus Morgan

Tlanāhuatīlli Freeway Loud Tlanextilizyolitiliztli 3D ipan Tlachihualiztli ītēchcopa Mateus Morgan cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Iztacteocuitlatl īpan Ixcuecuetzaliztli, Tlachializtlahtolpamitl ihuan Olinia Ixiptlaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlIxcuecuetzaliztli· 2024

Freeway Loud Tlanextilizyolitiliztli 3D ipan Tlachihualiztli

īpal Mateus Morgan

Tlanāhuatīlli: Morgan Studio

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Ixcuecuetzaliztli Tlamantli

69,458

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #156123

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Freeway Loud Tlanextilizyolitiliztli 3D ipan Tlachihualiztli

Freeway Loud ce yolitiliztli tlachihualiztli ica eyi ixtlapaliztli (3D) omochiuh ipampa ce cactli tlanamacayotl. Inin yolitiliztli quinextia ce cactli ijtic industrial tlaltipactin, campa in tepoztlachihualhuan neci quiyolitiah in tlachihualiztli. In cactli omomachiyoti ica hard surface tlamatiliztin ipan 3ds Max, ica tlaixcopinaltin quen tlanextiliztli. In textura omochiuhqueh ica cuetlaxtli tlaixcopinaltin ihuan digital tlacuilolhuaztin, ihuan in tlachializtin omorenderoh ica Vray ipan 1920 ica 1080 pixeles. Inin yolitiliztli omochiuh ipampa online tequitl, ihuan in itlanequiliz ma quinhuica in tlachixqueh zan ica tlaixcopinaltin, ahmo ica tlahtolli tlen tlamelahua.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Freeway Loud Tlanextilizyolitiliztli 3D ipan Tlachihualiztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Freeway Loud Tlanextilizyolitiliztli 3D ipan Tlachihualiztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Freeway Loud Tlanextilizyolitiliztli 3D ipan Tlachihualiztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The idea was to give the product a modern aspect by the use of futuristic elements and the industrial machines that brings the shoe to life.
Huēyiliztli īhuān Tlacualtepēhualli: 1920X1080
Tōcāitl: shoe, cgi, footwear, fashion, 3d boot, cgi boot, vessi
Tlachīhualiztli Māchiyōtl: The shoe was modeled using photographs as a reference and hard surface 3D modeling techniques. For modeling we used the software 3ds Max. All the textures made using leather texture and some photoshop brushes. Vray was used for rendering.
Tlanāhuatīlli Nētēcahuilīztli: The hardest part putting all the scenes in the same mood, considering that where a lot of different environments.
Tlatēmōliztli: The work was executed based mainly on the previous experiences in other works for several companies of the sector footwear, in very natural way. Feedback was collected mainly online about the quality of the 3D itself as well as the sensations that people had in the first contact with the art.
Tēyōllālīliztli: We where inspired by the industrial process and the technology involved in all the shoe construction process. As reference we used a lot of company local machines that are used on the shoe construction process.
Tēquitl Cāhuitl: The project toke around 2 months to get done, starting on the planning stage, in Franca, SP, Brazil.
Tēquitl Ōhuitl: The animation visual was used on online such product website, instagram and facebook. The main focus was to attract attention to the product, bringing in the composition elements that generate the necessary sensations without the need for explanatory texts. Competitors often use images without a strong visual appeal, so the product, especially in the online market, goes unnoticed. The excess of texts works negatively in most of these cases, underestimating the viewer's intellect.
Calpolli Tlācah: Mateus Morgan, Murilo Secco, Carlos Masson, José Rafael, Henrique Melo, Samuel Simionato, Cadu Rosa, Vitor Fonseca