Yan Toltecayotl Calli ītēchcopa Guanyu Tao

Tlanāhuatīlli Yan Toltecayotl Calli ītēchcopa Guanyu Tao cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Cozticteocuitlatl īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlCalchihualiztli· 2025

Yan Toltecayotl Calli

īpal Guanyu Tao

Tlanāhuatīlli: Gerry Tao

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Calchihualiztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #163921

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Yan Toltecayotl Calli

Yan Toltecayotl Calli cuepaltia in nepantlaliztli caltequitl ihuan yancuicayotl, yehhuatl altepeyollotl campa mahuiztililoya huehuetiliztli. Onoca itech tepexitl tlalli Rushan, Shandong, in icaltequitzin quinequi tetexotl ihuan atoyameh. In calli quipia atl nacazco tianquiztli, toltecameh incalhuacan, nepapan tlachializcaltin, ihuan netotilizcaltin, mochi monamictiah nepantlah. Zoquitetl pachoa cualli iuhqui tetl yancuic, calli mocentilia in tlalli ihuan quichihualilia tepexitl tlalli itech ohtli ihuan tianquiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Yan Toltecayotl Calli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Yan Toltecayotl Calli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Yan Toltecayotl Calli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Yan Art Museum is a cultural hub that harmonizes architecture with the rugged terrain of Rushan. Unlike traditional museums, it transforms natural slopes into functional elements like pathways, plazas, and viewing platforms. Its dynamic layout fosters interaction between visitors and local artists through integrated studios and galleries. With textured concrete echoing rocky formations, Yan seamlessly blends cultural expression, innovation, and environmental integration.
Huēyiliztli īhuān Tlacualtepēhualli: Yan Art Museum is situated on a 2,700-square-meter site, with a total building area of 1,650 square meters distributed across three levels. The first floor features a courtyard-style entrance surrounded by scattered artist studios and galleries, creating an inviting and interactive environment. The second floor includes a small open plaza, a compact gallery space, and essential auxiliary facilities. The third floor houses an open-air theater designed for traditional Chinese performances, providing a cultural focal point while blending seamlessly with the natural terrain.
Tōcāitl: Architecture, Subterranean architecture, Rural architecture, Cultural architecture, Museum
Tlachīhualiztli Māchiyōtl: Yan employs form board texture reinforced concrete, creating rock-like surfaces while ensuring structural stability during excavation. The design incorporates shallow-rooted plants in the landscaping to safeguard the building's structure and waterproofing. Its three interconnected levels, linked by stairs and elevators, are carefully oriented to harmonize with the site’s layout and ensure accessibility, blending functionality with thoughtful integration into the natural environment.
Tlanāhuatīlli Nētēcahuilīztli: Addressing the site's varied slopes was challenging. The design cleverly integrates the natural incline to facilitate plazas and pathways, turning elevation changes into advantageous viewing platforms. This strategic use of the landscape not only enhances functionality but also establishes visual corridors that accentuate the architectural form, allowing the building to blend seamlessly with its environment.
Tlatēmōliztli: Inspired by the deconstructivism movement and the works of Thom Mayne and Zaha Hadid, Yan Art Museum integrates seamlessly into Rushan’s rugged terrain. The research involved site, cultural, and user analysis, employing techniques such as hand-drawing and collage to explore design possibilities. Tools like Rhinoceros, Adobe Suite, and D5 Render were used to refine the dynamic structure, harmonizing architecture with topography and cultural identity while enhancing visitor experiences.
Tēyōllālīliztli: The design of Yan Art Museum stems from a deep desire to harmonize architecture with nature while engaging in a meaningful dialogue with the local culture of Rushan. Drawing inspiration from the rugged, dramatic landscape of the Rushan mountain range, the museum reflects the stony textures and flowing contours of the region. Through its loosely arranged, courtyard-style layout, the design pays homage to the organic forms of traditional Chinese villages, weaving cultural heritage into its spatial composition. This approach transforms natural and cultural elements into a dynamic hub for artistic and cultural expression. By intertwining natural forms with human creativity, the museum becomes both a tribute to and an extension of its surroundings, celebrating the beauty of the terrain and the spirit of the community it serves.
Tēquitl Cāhuitl: The concept design was finished in 2024 Sep, with site location at Shandong, Rushan, China.
Tēquitl Ōhuitl: Upon entering Yan, visitors arrive at a plaza encircled by a pool and walls, leading to artist studios and the main gallery with rotating exhibits. An elevator and external stairs from the main gallery provide access to the second floor’s L-shaped plaza, which connects to the second gallery for permanent exhibitions. Visitors can ascend to the third floor via elevator or plaza stairs to reach the outdoor amphitheater, a venue for traditional performances.
Patentēmeh: Copyrights belong to Guanyu Tao, 2024
Calpolli Tlācah: Guanyu Tao
Īxiptla Tlanēxtīlli: Image #1: Designer and Photo Rendering Guanyu Tao
Image #2: Designer and Photo Rendering Guanyu Tao
Image #3: Designer and Photo Rendering Guanyu Tao
Image #4: Designer and Photo Rendering Guanyu Tao
Image #5: Designer and Photo Rendering Guanyu Tao