Yin And Yang Cozcamatlatl ītēchcopa Eleonora Federici

Tlanāhuatīlli Yin And Yang Cozcamatlatl ītēchcopa Eleonora Federici cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Cozquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCozquitl· 2025

Yin And Yang Cozcamatlatl

īpal Eleonora Federici

Tlanāhuatīlli: Eleonora Federici Jewelry

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Cozquitl Tlamantli

68,276

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #168280

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Yin And Yang Cozcamatlatl

Inīn cozcamatlatl yancuīc quitlaīxtilia in huēhuē tlachīhualli, quinamictia āpolihualiz nepantiliztli, cuecuechtic, huehcayōtl īhuān tlatzotzonaliztli īpan quinnōtza in yancuīc nepantiliztli, zan quipia nepantiliztli īhuān cualnēmiliztli. Tlanenequilihtic ic Yin īhuān Yang tlamanitiliztli, quipiya nepapantiliztli īhuān nenepanōliztli. Mochihualōc ic caxtōlomēyi quilates iztāc teōcuitlatl, iztāc epyōllōtl Australia, yāyauhqui epyōllōtl Akoya, ahtic īhuān yāyauhqui tehuilōtetl. In tlīltic īhuān iztāc rodio tlapānitiliztli quichicāhuilia inīn omentin. Chicahuac tlamachīhualōc ic pactiliztli, in tlachīhualli ahmō mololōāz, quinchihua cē tlachīhualli tlein monenepanōlōz īca in tlācatl quicuiz, quinchihua cemānāhuac neāhuiltiliztli ic tlanextli īhuān cēhuayōtl, motzācua ic cemānāhuac mācēhualīztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Yin And Yang Cozcamatlatl ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Yin And Yang Cozcamatlatl ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Yin And Yang Cozcamatlatl quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: My goal was to reinvent the classic bypass ring by giving its two parts distinct curves and varying heights and inclinations. Not only that, but I also sought to create a piece that was both innovative and elegant. Most importantly, I wanted it to be truly eye catching, a design that stands apart from the many bypass rings commonly seen. The interplay of pearls, asymmetric movement, and dual rhodium finish embody the harmony of contrasts, making this ring a bold yet timeless statement.
Huēyiliztli īhuān Tlacualtepēhualli: This ring fits within a 22 x 34 x 22 cm box. Crafted from 18K white gold, it features an Australian pearl, a rare gray Akoya pearl, high quality colorless E VVS Natural Diamonds, and gray diamonds. The shank is half plated in white rhodium and half in black rhodium to enhance contrast. The white pearl is securely fastened with an invisible screw, ensuring durability. The ring comes in a luxury presentation box with a dedicated certificate detailing its craftsmanship and materials.
Tōcāitl: jewelry design, Yin&Yang, Yin and Yang, , unique jewelry, custom made jewelry, eleonora federici, award winning jewelry designer, pearl, akoya pearl, australian pearl
Tlachīhualiztli Māchiyōtl: I meticulously designed the model using Rhinoceros 3D software, then brought it to life through casting, setting, and hand finishing, following traditional jewelry making techniques. To protect the pearls from the rhodium plating process, the white pearl was drilled through and secured with an invisible screw. This final step was the most delicate, as after finishing, polishing, and setting, the ring could not be scratched, nor could the diamonds be displaced.
Tlanāhuatīlli Nētēcahuilīztli: As I reimagined the classic bypass ring while pursuing a timeless design, three main challenges emerged. First, I aimed to enhance movement and break traditional symmetry by playing with the different heights and inclinations of the two pearls while preserving balance and elegance. Contrast played a central role, both to reflect the Yin Yang concept and create dynamic visual interest. Finally, ensuring physical balance was essential to prevent rotation, requiring precise weight distribution.
Tlatēmōliztli: This project began with a study of Yin and Yang, which teaches that everything holds the seed of its opposite, not to dissolve into it, but to affirm the cycle of change and continuity. I reinterpreted the bypass ring, choosing pearls as organic symbols, whose interplay embodies harmony through cyclical change. The process culminated in solving technical challenges, from securing the pearl without a cup to achieving contrasting rhodium finishes while preserving material integrity.
Tēyōllālīliztli: This ring is inspired by the Chinese concept of Yin and Yang, which represents the two opposing forces that brought order to the universe from chaos. Beyond its cosmic significance, this duality also reflects the inner contrasts within every human being like the coexistence of light and dark, strength and vulnerability that shape our thoughts, actions, and daily lives. It embodies these seemingly opposing ideas, demonstrating that harmony and contrast are not contradictions but rather complementary.
Tēquitl Cāhuitl: The project started in September 2023 in Pavia and finished in December 2023.
Tēquitl Ōhuitl: This ring is designed as an extension of the wearer, merging fluidity with structure. Its asymmetric curves and dynamic movement create a continuous interplay of light and shadow, evolving with every gesture. The carefully balanced weight ensures a comfortable fit, preventing rotation while enhancing a sense of natural harmony. More than a jewel, it is an intimate piece that embodies duality, elegance and strength, contrast and unity, becoming a timeless expression of individuality.
Patentēmeh: Copyrights belong to Eleonora Federici, 2023
Īxiptla Tlanēxtīlli: Image #1:Diego Chiarlo
Image #2:Diego Chiarlo
Image #3:Diego Chiarlo
Image #4:Eleonora Federici
Video Credits: Eleonora Federici
Sound Credits: Aleksey Chistilin