Clay Moulded Kalihtik Tlachihchiwalistli ipan Teatro ītēchcopa Marius Mateika

Tlanāhuatīlli Clay Moulded Kalihtik Tlachihchiwalistli ipan Teatro ītēchcopa Marius Mateika cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Cozticteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlCallitic· 2025

Clay Moulded Kalihtik Tlachihchiwalistli ipan Teatro

īpal Marius Mateika

Tlanāhuatīlli: Mama architects

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

68,756

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #171457

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Clay Moulded Kalihtik Tlachihchiwalistli ipan Teatro

Clay Moulded yehwatl in kalihtik tlachihchiwalistli se teatro kampa mokuika ipan Klaipeda, Lituania. In sokitl kintlapachoa in tepamitl iwan in kaltechkopa, iwan okachi de 30 toneladas de inin tlamantli omotlalih ika imatl. In tlahmachyotl in wei kali amo motlamia iwan yawi de se itlami in kanawak asta okse itlami. Omochihchiuh se tekitl ika chikome tlamantli tlatlapacholistli inik inin tekitl, kampa mopowa in tlaachpitzalistli, tlahmachchiwalistli, tlawakilistli, tlachipawalistli, tlapetlanaltilistli iwan tlamokuitlawilistli. In tepamitl iwan in kaltechkopa welih motlapoah iwan motzakwah inik kiyekanah in kakilistli itlakuepilis, ik inon in kanawak momachtia inik kuikayotl, teatrotlachihwalistli iwan nechikolistli. In wei kali kampa motlachialtia kimpia 700 ikpalmeh inik in tlakah.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Clay Moulded Kalihtik Tlachihchiwalistli ipan Teatro ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Clay Moulded Kalihtik Tlachihchiwalistli ipan Teatro quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Clay Moulded Kalihtik Tlachihchiwalistli ipan Teatro quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Huēyiliztli īhuān Tlacualtepēhualli: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Tōcāitl: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Tlachīhualiztli Māchiyōtl: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Tlanāhuatīlli Nētēcahuilīztli: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Tlatēmōliztli: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Tēyōllālīliztli: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Tēquitl Cāhuitl: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Tēquitl Ōhuitl: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Calpolli Tlācah: Architects: Marius Mateika
Īxiptla Tlanēxtīlli: Photographer: Leonas Garbačauskas