Guanshan Neyōlmelāhualiztli Tlaneltokīlli ītēchcopa Hong Jia Min

Tlanāhuatīlli Guanshan Neyōlmelāhualiztli Tlaneltokīlli ītēchcopa Hong Jia Min cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Tepoztli īpan Tlacuilolli, Tlacuilolixiptlaliztli ihuan Tlachialtlanonotzaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliTlacuilolli· 2025

Guanshan Neyōlmelāhualiztli Tlaneltokīlli

īpal Hong Jia Min

Tlanāhuatīlli: Jijia Brand Creative Studio

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tlacuilolli Tlamantli

2,022

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #172951

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Guanshan Neyōlmelāhualiztli Tlaneltokīlli

Guanshan in tocaitl-ixiptlatl tlachīhualli īpal ce chīchīhualāyō-tē tlanamacoyān. In neyōlmelāhualiztli quimopalēhuia in Chīna tlahcuilōltin ītech īnelhuayo, quiyancuīltia in īnacayo huēhcauh tlahcuilōliztli ihuan quipiya īyōllo huēhcauhcāyōtl. Motzintiā ītech Tōnalcopa tlamahuizōlli īxiuhtlātil, in ixiptlatl quinepanoa in tlīlātl-māhuizōlli ehecahuaztli ihuan tēcōntin īxiptlahuān. In tlācaltīlōni tlanēxtīlli quinēxtia ce ehecahuāztli ihuan ce chīchīhualāyō-cāxitl, mocenpanoah, ihcōn quichīhua ōme mahuizyōtl. In tlīlātl huitzoctli neci quihtoznequi in ohtli ācatl ītzon in huēhcauh yāhualtic ehecahuaztli, ihuan in cāxitl ītlachiyaliz ītech Jianzhan tēcōntin quiyōlēhua.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Guanshan Neyōlmelāhualiztli Tlaneltokīlli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Guanshan Neyōlmelāhualiztli Tlaneltokīlli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Guanshan Neyōlmelāhualiztli Tlaneltokīlli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Huēyiliztli īhuān Tlacualtepēhualli: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Tōcāitl: Oriental, Creativity, Tea , Ink Painting, Chinese
Tlachīhualiztli Māchiyōtl: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Tlanāhuatīlli Nētēcahuilīztli: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Tlatēmōliztli: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Tēyōllālīliztli: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Tēquitl Cāhuitl: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Tēquitl Ōhuitl: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patentēmeh: Copyrights belong to Hong Jia Min, 2024.
Calpolli Tlācah: Hong Jia Min
Īxiptla Tlanēxtīlli: Hong Jia Min