Urban Banyan Ical Tlaxcalnamacoyan Cafetzin Iyitic Tlachihchiualiztli ītēchcopa Shinjiro Heshiki

Tlanāhuatīlli Urban Banyan Ical Tlaxcalnamacoyan Cafetzin Iyitic Tlachihchiualiztli ītēchcopa Shinjiro Heshiki cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCallitic· 2026

Urban Banyan Ical Tlaxcalnamacoyan Cafetzin Iyitic Tlachihchiualiztli

īpal Shinjiro Heshiki

Tlanāhuatīlli: Runva Company Inc.

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #173354

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Urban Banyan Ical Tlaxcalnamacoyan Cafetzin Iyitic Tlachihchiualiztli

Urban Banyan yehuatl in iyitic tlachihchiualiztli ce tlaxcalnamacoyan cafetzin ompa Naha altepetl, Okinawa. In tlacatl icentlanepantla ce banyan cuahuitl tlatectli tlen quipia 6000 mm ipatlahuac ihuan 3600 mm ihuecapan. Inin cuauhtlatectli quicentilia lath huapaltin, mortero ihuan tlachihualiz tenextli, auh in imamahuan mochihuah ica ahmo etic resina tlen 3D omoquixti, ihuan quinamiqui in tlanahuatilli itechpa tletl tlapiyaliztli. Amo omocahuac ma quitlalican tlahcuilolli quiyahuac, ic on in 14.5 metros tezcatl ixpan quipia 3 mm acrílico huapaltin tlen ica xihuitl achi panquiztoc omotlahcuilohqueh. In tlanextli tlen icuitlapan quichihua in caltlanamacoyan ixpan ma mocuepa ce totonqui tlahuilcalli yohualtica.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Urban Banyan Ical Tlaxcalnamacoyan Cafetzin Iyitic Tlachihchiualiztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Urban Banyan Ical Tlaxcalnamacoyan Cafetzin Iyitic Tlachihchiualiztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Urban Banyan Ical Tlaxcalnamacoyan Cafetzin Iyitic Tlachihchiualiztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Centered around a sculptural Banyan tree, this interior blends art and architecture to provide emotional comfort. Embracing the aesthetic of light and shadow, it creates a serene atmosphere. Overcoming strict exterior signage bans, the glass storefront functions as a City Lantern. Semi-transparent leaf prints on acrylic project a warm, organic glow onto the street at night, serving as an architectural beacon without violating building codes.
Huēyiliztli īhuān Tlacualtepēhualli: Banyan Tree Artwork: 6000 mm (W) x 3600 mm (H). Acrylic Print Panels: 14500 mm (W) x 1200 mm (H).
Tōcāitl: bakery cafe, spatial design, banyan tree, organic interior, lantern facade, light and shadow, digital fabrication, mortar craft, japanese design, okinawa
Tlachīhualiztli Māchiyōtl: To meet fire codes, the banyan sculpture uses a hybrid of lath boards, mortar, and artistic plaster. Complex branches integrate lightweight 3D-printed resin to reduce load. The 14.5m window features 3mm acrylic panels with semi-transparent leaf prints. Backlit for a lantern effect, it leverages western exposure, creating a dramatic interplay between the interior and twilight.
Tlanāhuatīlli Nētēcahuilīztli: Due to tenant restrictions, no exterior signage was permitted. To overcome this limitation, the design reimagined the entire window surface as a glowing lantern visible from the street, creating both a signature presence and cost efficiency without breaching the building facade rules.
Tlatēmōliztli: Research focused on material innovation to balance art with strict fire safety. We developed a lightweight structure integrating 3D-printed resin components and noncombustible mortar. We also explored reversible attachment mechanisms for the long-span acrylic window panels. This demonstrates a sustainable approach to large-scale indoor art installations, merging traditional crafts with digital fabrication.
Tēyōllālīliztli: In the concrete jungle of Naha City, this design reintroduces the primal comfort of nature. Inspired by the Okinawan Banyan tree (Gajumaru), revered in folklore as the abode of spirits, the space serves as a modern sanctuary. The concept visualizes the invisible 'Life Force' of the island. By integrating the organic forms of the Banyan with the play of light and shadow, the design transforms a commercial space into a spiritual shelter, offering a moment of primitive healing amidst urban hustle.
Tēquitl Cāhuitl: The project started in Nov 2024 in Naha City, Okinawa and finished in March 2025
Tēquitl Ōhuitl: Guests enter beneath the symbolic canopy of the banyan tree and are naturally guided toward seating areas that embrace the soft western light. The filtered illumination through the acrylic leaf screens shifts subtly throughout the day, providing visitors with a tangible sense of passing time. This visual and spatial rhythm intentionally encourages people to slow their pace, breathe deeply, and experience emotional serenity while enjoying their coffee and bread.
Patentēmeh: Copyrights belong to Conception Co., Ltd., 2025.
Īxiptla Tlanēxtīlli: Photographer: Masahiro Ishibashi