Forest Archetype Calli ītēchcopa Genta Takano

Tlanāhuatīlli Forest Archetype Calli ītēchcopa Genta Takano cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCalchihualiztli· 2026

Forest Archetype Calli

īpal Genta Takano

Tlanāhuatīlli: Gla

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Calchihualiztli Tlamantli

8,183

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #174638

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Forest Archetype Calli

Forest Archetype yehuatl ce calyotl tequitl tlen quitlahtolcuepa in tlaltechtli ordenamiento itech ce cuauhtlah ipan ce tepiltic calmamatlatl. In tlachihualiztli mocempanoa itechpa ce tlatlamantilli tepetlacaltechtli amo iuhqui in tlapohualli calnepaniuhcayotl. In moyacatztoque tepetlacaltlachihualli quinextia in nehnemiliztli ihuan tequitiliztli inic mopia in ixtlamatiliztli itzalan in itic calli. Inin tlatlamantilli tlachihualli quichihua xitintoque tlacoyoctin ihuan tlahcoquiyahuactin tlen quipalehuia in mohmoztlae yancuic tequitiliztli. Itechpa chipahuac tepetlacaltlamatiliztli ihuan tlaltechtli tlatecpanaliztli in calli quitlani tlatquiyotl ihuan tlapouhcayotl in oc tlaixyeyecoltic ipan iueyca.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Forest Archetype Calli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Forest Archetype Calli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Forest Archetype Calli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This project is a residential building that reinterprets the spatial structure of a forest within a compact domestic setting.
Instead of relying on conventional room divisions, the house is organized through a layered structural system that integrates architecture and built in furniture.
Large, trunk like elements form the spatial backbone of the house, enabling diverse activities and visual connections.
By combining structural clarity with spatial flexibility, the design achieves richness and openness while remaining restrained in scale.
Huēyiliztli īhuān Tlacualtepēhualli: Number of floors: 2 above ground
Eaves height: 5885mm
Maximum height: 6386mm
Site area: 1293.00m2
Building area: 85.11m2
(Building coverage ratio: 6.58%, allowable: 60%)
Total floor area: 124.14m2
(Floor area ratio: 9.60%, allowable: 200%)
First floor area: 72.16m2 Second floor area: 51.98m2
Construction type: Timber structure
Tōcāitl: house, architecture, forest, spatial structure, timber
Tlachīhualiztli Māchiyōtl: The ceiling above the central void was finished with a low gloss metallic surface to control light reflection and enhance spatial depth.
This surface subtly reflects changes in daylight and surrounding vegetation throughout the seasons, contributing to environmental continuity without direct visual imitation.
Large suspended panels beneath the ceiling were designed as abstracted elements derived from surrounding trees, using simplified geometry and controlled spacing.
These elements modulate light, views, and scale, creating differentiated spatial conditions through material treatment rather than enclosure.
Tlanāhuatīlli Nētēcahuilīztli: The primary challenge was balancing continuity with the forest while maintaining architectural clarity and structural stability.
From a creative perspective, the project required reconciling Japanese spatial traditions, such as the fragmentation of small rooms, with contemporary residential needs.
From a technical standpoint, ensuring sufficient structural performance in a timber building led to the adoption of a reinforced frame using aramid fiber sheets to address lateral forces.
Material selection was also critical, as silver steel surfaces were carefully introduced to reflect seasonal light without overwhelming the interior.
These challenges required close coordination between design intent, structural constraints, and construction feasibility.
Tlatēmōliztli: This project is based on design research exploring residential architecture adjacent to natural forests.
The objective was to understand how built space can coexist with a forest while maintaining continuity rather than separation.
The methodology involved on-site observation, spatial analysis, and iterative design testing.
Tools included site walks, sketches, physical models, and full-scale spatial studies.
The primary participants were the architect and the future occupants.
The result was a four layered spatial system that aligns architectural elements with the scale of trees.
This research demonstrates how architectural structure can enhance daily comfort and foster a closer relationship between living space and surrounding nature.
Tēyōllālīliztli: This project was inspired by repeated observations of a forest adjacent to the site.
Through walking and spending time within this environment, I became aware of its spatial order, formed by the vertical presence of trees and their layered relationships.

Rather than imitating the forest as a natural form, the design seeks to abstract its vitality into a clear architectural system.
This led to the development of large, trunk like structural elements arranged in layered compositions, responding to the trees along the cliff and translating their spatial logic into architecture.
Tēquitl Cāhuitl: The project was completed in 2017 in Sapporo, Hokkaido, Japan.
Tēquitl Ōhuitl: The house is experienced through movement rather than fixed rooms.
As occupants walk through the interior, the layered walls gradually align with the scale and rhythm of the surrounding trees.
This creates a continuous flow between inside and outside, where built elements and natural scenery visually overlap.

Living within the house involves moving through changing degrees of openness, light, and enclosure.
This interaction allows daily activities to unfold naturally, producing a calm and immersive environment that feels connected to the adjacent forest rather than separated from it.
Īxiptla Tlanēxtīlli: GLA