Sarv Icpalli ica Tlanamacoyan ītēchcopa Nastaran Khanzade

Tlanāhuatīlli Sarv Icpalli ica Tlanamacoyan ītēchcopa Nastaran Khanzade cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2026

Sarv Icpalli ica Tlanamacoyan

īpal Nastaran Khanzade

Tlanāhuatīlli: Rendi

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

8,304

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #177115

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Sarv Icpalli ica Tlanamacoyan

Sarv ce icpalli tlachihualli inic motequitiltiz itech tlanamacoyan ihuan huehcapan ahcopechtli. In itlaquetzal mochihua ica chicahuac cuahuitl, ihuan in campa motlalia tlapepecholli ica tzotzomahtli ipan tilahuac pozonqui. In ixiptla quicuic inemachiliz itech cypress cuahuitl Persia, ce machiyotl in chicahualiztli itech Iran tlamatiliztli. In huehueyac icxihuan quilnamiquiltia in quenin mozcaltia ahco in cuahuitl, ihuan in coltic imamahuan quinehnehuilia imamah in cuahuitl. In itlachihualiz quicentlalia melahuac tlatequiliztli, cuahuitl tlacoltiliztli ica apoctli, CNC tlaximaliztli ihuan maitl tlayecchihualiztli. In icpalli quipia ahzo 100 cm ihuehcapan, 50 cm ipatlahuac ihuan 55 cm ihuecatlan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Sarv Icpalli ica Tlanamacoyan ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Sarv Icpalli ica Tlanamacoyan ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Sarv Icpalli ica Tlanamacoyan quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This chair combines sculptural aesthetics with ergonomic functionality. Its fluid wooden frame is designed not only for structural integrity but also for visual harmony. The dynamic geometry of the legs provides stability while maintaining a sense of movement and lightness. The curved armrests offer subtle support, enhancing comfort without overwhelming the form. Each angle reveals a new perspective, allowing the piece to stand both as functional furniture and as a statement of art.
Huēyiliztli īhuān Tlacualtepēhualli: Specifications / Technical Properties
Dimensions: approx. 100 cm (height) x 50 cm (width) x 55 cm (depth)

Materials: Solid wood (walnut or ash) + high-density foam + fabric upholstery

Finish: Natural wood finish, hand-polished

Weight: Lightweight yet structurally stable
Tōcāitl: Counter Chair, Bar Stool, Wooden Furniture, Contemporary Design, Ergonomic Seating, Iranian Design, Cypress Inspiration, Modern Furniture, Handmade, Interior Design, Sustainable Furniture, Sculptural Chair, Art Furniture, Mashhad Design
Tlachīhualiztli Māchiyōtl: The chair is crafted from solid wood using advanced woodworking techniques such as precision cutting, steam bending, and joinery. The flowing organic form is achieved through CNC milling combined with hand-finishing, allowing both accuracy and a human touch. The seating surface is upholstered with high-quality fabric to enhance comfort while maintaining a minimalist aesthetic. Sustainable materials and processes were prioritized in order to reflect the natural inspiration behind the design.
Tlanāhuatīlli Nētēcahuilīztli: The main challenge was transforming the vertical and symbolic essence of the cypress tree into a practical chair form. Maintaining balance between artistic expression and ergonomic functionality required extensive prototyping. Achieving the fluid organic structure with precision also demanded innovative production techniques, combining digital technology with traditional craftsmanship.
Tlatēmōliztli: The research behind the project focused on how natural symbols in Iranian culture could inspire contemporary furniture design. The cypress tree, often depicted in Persian gardens, carpets, and poetry, was studied for its form and symbolic meaning. The design sought to capture the tree’s balance between strength and grace. Structural research was also conducted to translate organic forms into functional joinery, ensuring both durability and ergonomic use.
Tēyōllālīliztli: The design of this counter chair is inspired by the Persian cypress tree, a timeless symbol of freedom, resilience, and elegance in Iranian culture. Just like the cypress stands tall with its upward-reaching branches, the structure of the chair conveys both stability and lightness. The elongated legs reflect the vertical growth of the tree, while the fluid arms echo its branching form that opens gracefully towards the sky. Crafted in wood, the design translates the natural strength and serenity of the cypress into a contemporary seating piece, bridging nature, tradition, and modern living.
Tēquitl Cāhuitl: Location:
Designed and produced at Rendi Factory, Mashhad, Iran.

Project Duration:
The project started in 2024 and took approximately one month to complete, from concept development to final prototype.
Tēquitl Ōhuitl: The chair is designed for use at counters and high tables, offering a balance between comfort and posture. The seat provides ergonomic support with a cushioned surface, while the armrests give a sense of security and ease. Its stable wooden structure ensures durability, and its lightweight form allows for effortless movement and placement in different settings such as kitchens, bars, or social spaces.