Kumihimo Tlamamalli ica Mecatl tlen Motilana ītēchcopa Tsuchiya Kaban Co., Ltd.

Tlanāhuatīlli Kumihimo Tlamamalli ica Mecatl tlen Motilana ītēchcopa Tsuchiya Kaban Co., Ltd. cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Platino īpan Tlaquentiztli ihuan Nehnemiztli Tlanehuililli Tlachihchihualiztli Nēhuilīztli Tlamantli.

PlatinoTlanehuililli· 2026

Kumihimo Tlamamalli ica Mecatl tlen Motilana

īpal Tsuchiya Kaban Co., Ltd.

Tlanāhuatīlli: Tsuchiya Kaban Co., Ltd.

Mahuizolli A' Design Award Platino Tēmacēhualōni īpan Tlanehuililli Tlamantli

947,293

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #180948

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Kumihimo Tlamamalli ica Mecatl tlen Motilana

Inin tlamamalli yancuican quitta Kumihimo, tlen ce huehue Japon tlachihualiztli tlen monelhuiltia mecatl tlen quizqui ipan Edo cahuitl. Ica quipatla in tlazoyotl ica mecatl tlen chicactic tlen monelhuiltia, in tlachihualiztli quipia chicahualiztli ihuan mahmana. In tlazohcamati achi tepitzin tlachihualli quinextia in tlamahuizolli, ihuan in tlachihualiztli quiteittitia Musubi, in Japon tlamatiliztli tlen teyolia ihuan tonacayo nepanolli. Inin tlachihualli huelqui quipachoa in huehue cualnezcayotl ipan yancuic momoztla nemiliztli, quihueyilia in nepanolli tlen oncah itzalan in tlamantli ihuan in axcahuah.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Platino

Kumihimo Tlamamalli ica Mecatl tlen Motilana ca in quicuic in Mahuizolli A' Design Award Platino, huel mahuiztic tlamahuizoliztli tlen momaca in tlachihualli in huel yectli ihuan huel hueyi. In quicuicah Platino quinextia hueyi tlamatiliztli ihuan toltecayotl intech tlachihuanime. Ca quinequi in ni tlachihualli quitlalizque in cualli ipan huehcauh tonalli, quimacazque cualli in altepetl ihuan quihuelitizque in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Kumihimo Tlamamalli ica Mecatl tlen Motilana quinextia in huel hueyi cualli ihuan quicualtia in cemanahuac ica in tlen cualli. Kumihimo Tlamamalli ica Mecatl tlen Motilana ca tlachihualli in quicuic in Mahuizolli A' Design Award Platino ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Reinterpreting "KUMIHIMO" from the Edo period-a Japanese historical era (1603-1867), this bag features durability and flexibility through braiding. Minimalist design highlights the pure beauty of the technique. The structure symbolizes "MUSUBI," a concept signifying both physical links and spiritual bonds in Japanese. By joining leather parts with these cords, the design reflects this spirituality, delivering traditional beauty to daily life.
Huēyiliztli īhuān Tlacualtepēhualli: Size: H 210 × W 190 × D 150 mm
Handle Height: 105 mm (Metal Fittings), 150 mm (Drawstring Cords)
Tōcāitl: Traditional Crafts, Kinchaku, Kumihimo, Craftsmanship, Leather, Japan, Repairable
Tlachīhualiztli Māchiyōtl: A work filled with our workshop's craftsmanship.
Consisting of 20 precision leather parts, this bag uses hidden stitching and manual thread finishing to highlight the KUMIHIMO's beauty. Edge-painting on all 100 holes ensures both friction reduction and beauty. The cords were made by the craftsperson Ryuta Fukuda. The fusion of Tsuchiya Kaban’s leather craft and Fukuda’s expertise breathes soul into every detail, embodying the value of traditional craft.
Tlanāhuatīlli Nētēcahuilīztli: The challenge of this project was to integrate traditional Kumihimo into a daily bag, balancing harmony with leather and functional beauty. To resolve this, we adjusted the placement of parts by hand in millimeter increments. We strictly managed sewing precision and repeatedly verified knot types and hardware shapes. As a result, we realized a design that fits modern lifestyles, harmonizing two distinct products into a single craft.
Tlatēmōliztli: Integrating traditional design into modern life.
By researching Kimono culture and modern bag usage, we identified "functionality, tactile feel, and visual balance" as key elements for daily integration. Through three prototyping rounds, we refined leather selection, hardware shape, and braiding to harmonize tradition with modern utility. This research-driven design creates a product ideal for daily use, effectively reaching audiences unfamiliar with traditional crafts.
Tēyōllālīliztli: A bag reinterpreting Japanese tradition for modern life.
This work reconstructs Kimono culture's beauty into a functional bag, harmonizing traditional aesthetics with daily life. Instead of applying crafts as they are, we refined the design to blend into modern wardrobes, removing the distance felt toward traditional crafts. By integrating "KUMIHIMO" into the structure, we aimed to make craftsmanship feel accessible through a modern appeal that invites people to pick it up and experience it.
Tēquitl Cāhuitl: Started in June 2022 at Tsuchiya Kaban in Tokyo. Mass production was completed at the Tsuchiya Kaban workshop in January 2024, marking the end of the project. It is currently not for sale.
Tēquitl Ōhuitl: A versatile bag designed for diverse styles and occasions.
This piece accents casual attire and functions as a sophisticated party bag for formal events. When paired with Kimono, it creates a modern look; its minimal yet deep design enhances any style. It offers two carrying options: a casual, relaxed style like a drawstring bag, and an elegant style using the original metal handle inspired by "Chagama" (a tea ceremony kettle), adding a unique touch to your movements.
Calpolli Tlācah: Traditional Craftsman (Kumihimo Braiding): Ryuta Fukuda