Takumi Cozcatl Tlapialcaxitl ītēchcopa Isabelle De Mari

Tlanāhuatīlli Takumi Cozcatl Tlapialcaxitl ītēchcopa Isabelle De Mari cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Iztacteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCaltlapechtli· 2026

Takumi Cozcatl Tlapialcaxitl

īpal Isabelle De Mari

Tlanāhuatīlli: Olho Moveis Autorais

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

21,819

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #181630

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Takumi Cozcatl Tlapialcaxitl

Takumi ce cozcatl tlapialcaxitl tlen quicentilia in Japon tlachihualiztli tlamatiliztli ihuan in axcan cahuitl tlaquetzalchihualiztli. Inin caxitl quipia caxtolli tlatlapoloni tlen quipiah tlatentectli itenco ihuan ce tlatiloc alahualiztli tlamantli tlen tequiti amo ica itlacapan tlapalehuiliztli, ihqui quichihua in tlatlapoloni neci quen patlantoc. In icalihtic tlaquimiloli ica yolcaehuatl ihuan quipia tlaquixtiloni suede tlaxeloliztli inic huel timotlaliliz quen ticnequi. In tepozcoztic imapil omochiuh ica in xicocuitlatl tlapololiztli tlachihualiztli, tlen quitequitia occepa in tepoztlatzintli tlen omocauh. Inin tlachihualli quicuepa in mocozca tlapializtli ipan ce yolcehuiliztli ihuan tlanematcachihualiztli momoztlatequitl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Takumi Cozcatl Tlapialcaxitl ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Takumi Cozcatl Tlapialcaxitl ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Takumi Cozcatl Tlapialcaxitl quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Takumi is a jewelry cabinet that merges Japanese craftsmanship principles with contemporary furniture design. Subtle chamfered details on the drawers create visual lightness while preserving structural clarity. The cabinet interior is lined with natural leather and organized through configurable suede compartments to protect delicate pieces. A brass handle cast using a jewelry-grade lost-wax technique becomes the symbolic jewel of the cabinet, transforming storage into an object of ritual and refinement.
Huēyiliztli īhuān Tlacualtepēhualli: Dimensions: 850 W x 450 D x 1200 H mm. Weight: 90 kg. Configuration: 15 drawers, customizable in quantity and internal sizing at order. Construction: non-disassemblable. Materials: MDF core clad in certified pau ferro veneer, water-based matte varnish, leather-lined interior, suede compartments, brass handles cast by lost-wax using reclaimed offcuts.
Tōcāitl: jewelry cabinet, Brazilian design, Japanese craftsmanship, chamfered details, concealed sliding system, brass casting, leather-lined interior, artisanal woodworking, contemporary furniture
Tlachīhualiztli Māchiyōtl: Takumi features an MDF core for dimensional stability, clad in certified pau ferro veneer and finished with water-based matte varnish. A concealed sliding system operates without lateral panels, creating a floating drawer effect. The interior is lined with natural leather and removable suede dividers. Brass handles are cast through lost wax using reclaimed offcuts, reducing waste and optimizing production cost.
Tlanāhuatīlli Nētēcahuilīztli: The primary challenge was achieving visual lightness while accommodating fifteen drawers without visible structural reinforcement. Engineering a concealed sliding system that eliminated lateral panels required repeated testing and structural recalibration. Integrating lost-wax brass casting into the cabinet demanded coordination between furniture and metal production processes.
Tlatēmōliztli: The project developed a jewelry cabinet balancing visual lightness and structural clarity. Material tests and joinery studies defined construction, while iterative prototyping refined proportions and drawer performance. Observation of storage habits shaped the internal layout. Alignment and concealed sliding tests ensured precision. The result improves usability while reinforcing craft-based contemporary furniture design.
Tēyōllālīliztli: Takumi was inspired by the principles of Japanese craftsmanship and the intimate ritual of storing personal jewelry. The project investigates how restrained aesthetics and the lightness provided by refined woodworking details can structure a dignified container for meaningful objects. The name Takumi meaning master artisan, guided its development, while the incorporation of jewelry-making techniques into the brass handle reinforces the dialogue between the cabinet and the precious items it protects.
Tēquitl Cāhuitl: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Tēquitl Ōhuitl: Takumi offers a calm and deliberate experience when storing personal jewelry. The multiple drawers feature full extension slides, allowing complete visibility and effortless access to each compartment. The vertical organization creates a sense of order and clarity. Suede-lined dividers can be removed and repositioned, enabling flexible handling of pieces outside the cabinet. The interaction encourages a relaxed, attentive moment of care and organization.
Calpolli Tlācah: Designer: Isabelle De Mari
Designer: Filipe Melo