Beauty of Yinyang Chaneyotl Calli Tlachihchihualiztli ītēchcopa PiiN Interior Design

Tlanāhuatīlli Beauty of Yinyang Chaneyotl Calli Tlachihchihualiztli ītēchcopa PiiN Interior Design cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCallitic· 2020

Beauty of Yinyang Chaneyotl Calli Tlachihchihualiztli

īpal PiiN Interior Design

Tlanāhuatīlli: Shan Cun Fu Hong Interior Design

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

11,425

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #88734

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Beauty of Yinyang Chaneyotl Calli Tlachihchihualiztli

Amoxtlahtolli: Yinyang Icualnexiliz ce chaneyotl calli tlachihchihualiztli 300 metros tlatamachihualli itech Taichung, Taiwan. Nin tlachihchihualiztli quitequihuia in yankuiliztli monelohqui Yinyang, ce tlahtolmelahualiztli huehuetlahtolli chino, ipan ce yankuik chantli. Monelohqui tlatecpanaliztli ihuan melahuac tlamantli quichihua yolseuhcayotl ihuan yolceuhcayotl. Ce yahualli quitlachihchihua in tlacualoyan, quitenehua in cenyaliztli cenfamilia inahuac ce cencualcualiztli. In tlachihchihualoni tlein quipiya: melahuac cuahuitl, tetl xoxoctic (marmol), teocuitlaamatl ihuan huehcauh tlaixapyotl. Ce huey atl-tlilli ihcuiloliztli amatl mopiloa ipan ce tepantli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Beauty of Yinyang Chaneyotl Calli Tlachihchihualiztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Beauty of Yinyang Chaneyotl Calli Tlachihchihualiztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Beauty of Yinyang Chaneyotl Calli Tlachihchihualiztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: In contrast to the Western concept of spatial design that is filled with power and outward contrast, people can find reservation, harmony, serenity and order in the Oriental traditional architecture and craft aesthetics, especially from the new Chinese styling derived from its classic styling. This project encompassed the functionality of modern western design, in successfully continuing the legacy the serene elegance and genuine spiritual pursuit in the traditional Chinese culture.
Huēyiliztli īhuān Tlacualtepēhualli: The interior design area is 300 square meters.
Tōcāitl: New Chinese Styling, Symmetry, Circle, Oriental, Line
Tlachīhualiztli Māchiyōtl: Vintage Glass Window Craft, Gold Foil, Large Water Ink Wall Painting on Paper, Genuine Timber, Marble
Tlanāhuatīlli Nētēcahuilīztli: With the indispensable circle element in the new Chinese styling, it is epitomized in the design of the dining area which articulated the gathering for meals in the traditional Chinese culture, and the design team successfully overcame the seamless joint of veneer in the elevation design. And as opposed to the usual wall painting materials, the design team mounted a large traditional Chinese water ink painting on the wall in exhibiting the grandeur of the celebrated sense of fulfilment.
Tlatēmōliztli: As the maintenance of traditional culture progressing with the time is one of the missions of designers, in the era of globalization, it is critical for the humanity first design domain to help people to find the cultural root that may have been gradually forgotten. And in this project, the reflection of the designer on the Western industrial design and Oriental traditional aesthetics was translated to the sense of order in the form of linear elements exhibiting stability and fulfillment.
Tēyōllālīliztli: In the Chinese world, the core principle of interpersonal interaction and decorum is to adhere to the good, and to escape from the bad. Fengshui was indeed a spatial layout theory based on order bringing stability and harmony to home. In order to facilitate the changes in modern life style, while preserving Chinese culture, the design team reflected and explored in ultimately applying the principle of the balanced symmetry of Yinyang in this spatial design.
Tēquitl Cāhuitl: The project finished in February, 2018 in Taichung, Taiwan.
Tēquitl Ōhuitl: Traditional Chinese aesthetics places high premium on the beauty of symmetry, which originated from their unique school of philosophical thinking in the balance of Yinyang.
Calpolli Tlācah: Chih Hsiu Sung
Joy Chou
Īxiptla Tlanēxtīlli: Photographer LIN YU HUAN, SW8 Studio, 2019.