Tlanāhuatīlli Zig Icpalli ītēchcopa Jules S. Jaffe cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Tepoztli īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCaltlapechtli· 2020

Zig Icpalli

īpal Jules S. Jaffe

Tlanāhuatīlli: Jules S. Jaffe

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Caltlapechtli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #89459

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Zig Icpalli

In tlachihualiztli motemachiya ipampa necqui motemactiz in nencelic itlamantiliz cuahuitl ipan tequitlahtollotl in monequi cualtzintli ihuan tequipanoliztli. Ipampa Jules S. Jaffe, inon in ohuic icpaltlachihualiztli. Nican in ohuic catca ica maca icxitlamiliztli ihuan chicahualiztli para mocahualoz ce yollonemiliztli yamanaliztli ihuan tlatzacuiliztli ipan in tlachihualiztli. In icpalli quipia chicahualiztli cualli auh no quipia ce yollonemiliztli yamanaliztli ihuan yecnemiliztli in onca ipan tlapohualcaquiliztli, mopehualtia ipan Pythagorastlacah in aquin in chichiuhqui

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Zig Icpalli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Zig Icpalli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Zig Icpalli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
Huēyiliztli īhuān Tlacualtepēhualli: 505 x 185 x 180
Tōcāitl: stool, chair, sitting device
Tlachīhualiztli Māchiyōtl: The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
Tlanāhuatīlli Nētēcahuilīztli: The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
Tlatēmōliztli: As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
Tēyōllālīliztli: Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
Tēquitl Cāhuitl: The project took 2 years to execute in a workshop in La Jolla, CA, USA.
Tēquitl Ōhuitl: Simply sit on it.
Patentēmeh: None
Calpolli Tlācah: Jules S. Jaffe (only)
Īxiptla Tlanēxtīlli: Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.