The Birth of a Book Amoxtli ītēchcopa Urszula Giren

Tlanāhuatīlli The Birth of a Book Amoxtli ītēchcopa Urszula Giren cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Cozticteocuitlatl īpan Tepoztlacuilolli ihuan Tlanextilamoxtli Tlahtolamatl Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlTepoztlacuilolli· 2020

The Birth of a Book Amoxtli

īpal Urszula Giren

Tlanāhuatīlli: Urszula Gireń

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Tepoztlacuilolli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #97144

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa The Birth of a Book Amoxtli

In Itlacatiliz Ce Amoxtli ce amoxtli tlaixquetzalli in tlahtoa itechpa in amoxtlachihchiualiztli ipan Polonia ipan XVI siglo. Inin amoxtli quinextia in huehueh tlaixcopinaltin ica in nelli inhueyica, ic in amoxpohuanimeh huel quittazqueh in achto informatoh. In amoxquimiliuhcayotl quinextia in tlaquetzaliztli tequitl in omochihuaya ica in huehueh octavo formato. Ce lazoh amoxmachiyotl quinmachiyotia in inquauhticayoh in folio, quarto ihuan octavo amoxtin. In cuauhtlacuilolmeh ipan in tocaitl amaixtli motlaixcopina ica tlapalcuepaliztli, ic quilnamiquiliztia in matrices in tliltic tlapalatica tlaquimiloltin. In formato 256 ica 320 milimetros, ica 560 amaixtli ihuan achi 1200 tlacuilolmeh. In inecca yehuatl in quinmelahuiliz in Renacimiento tlaixcopinaliztli tequitl in miec amoxpohuanimeh.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

The Birth of a Book Amoxtli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in The Birth of a Book Amoxtli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. The Birth of a Book Amoxtli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Huēyiliztli īhuān Tlacualtepēhualli: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Tōcāitl: renaissance book, first roman typefaces, old prints, typography
Tlachīhualiztli Māchiyōtl: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Tlanāhuatīlli Nētēcahuilīztli: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Tlatēmōliztli: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Tēyōllālīliztli: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Tēquitl Cāhuitl: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Tēquitl Ōhuitl: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Īxiptla Tlanēxtīlli: Urszula Gireń / 2019