Wrapped Volumes Calli Namacoyan ītēchcopa Boney Keriwala and Alak Parmar

Tlanāhuatīlli Wrapped Volumes Calli Namacoyan ītēchcopa Boney Keriwala and Alak Parmar cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCalchihualiztli· 2020

Wrapped Volumes Calli Namacoyan

īpal Boney Keriwala and Alak Parmar

Tlanāhuatīlli: The BAD Studio

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Calchihualiztli Tlamantli

18,568

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #98323

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Wrapped Volumes Calli Namacoyan

Wrapped Volumes ce namacacalli tlen amo huehcauh mocahua, mopantia iixnepanco ce tepozaltepetl. In tlalli amo quipia miec tlamantli itech, yehica in tlachihualiztli quicui inemiliz itech in ohtli tlen compano. In inemiliz in ohtli mopatla ipan ce tlaquimiloliztli tlen amo tzonquiza, tlen quiehua in calli itech tlalli. Cequi tlamantli in tlaquimiloliztli quichihua ce tlalpan tlachihualiztli, ihuan occequi tlamantli quichihua ce ehuatl tlen tepalehuia, tlen quicaxahua in totonaliztli tlen huitz huitztlampa. In ixnepanco ca tenextli tlacuilolli, tlachihualli ipan altepehuaque tlachihuani. In calitic tlaquenmeh chichictic mopaca ica yancuic tlahuilli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Wrapped Volumes Calli Namacoyan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Wrapped Volumes Calli Namacoyan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Wrapped Volumes Calli Namacoyan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Being a temporary structure, the idea was to reduce the cost and at the same time giving a visitor a sumptuous feel. Translating the movement of road and WRAPPING VOLUMES gives excellent vibrant spaces, where light and shadow play equally important roles in intensifying the geometry. The office weaves the landscape and structure by engaging visitor to transcend from exterior to interior spaces to experience a sumptuous character of compact interior spaces washed in natural light..
Huēyiliztli īhuān Tlacualtepēhualli: 15550mm x 10250mm x 4475 mm
Tōcāitl: Architecture, Commercial, Wrapped Volumnes, Design, Commercial Architecture,
Tlachīhualiztli Māchiyōtl: The building is composite structure with partial metal columns and insulated corrugated sheet roofing along with partial R.C.C frame structure to support roof. Tinted Glass glazing enhances the floating mass levitated through metal columns. The facade is ribbed plaster manually crafted by local craftsman. The flooring is cement texture finished vitrified tiles, while landscape zone comprises of Kota Stone, along with paving blocks in the outdoor pathways and parking zone.
Tlanāhuatīlli Nētēcahuilīztli: It was difficult for local masons to understand and construct the structure with a complex geometrical form. To overcome this, we mapped the points on-site by erecting poles and tying a string to achieve the form. Secondly, the facade poses a ribbed plaster. Generally, plaster tends to fall off if hit hard. We tried to re-create the ratio of cement to sand until the plaster firmly adhered to the wall. A series of samples with different size and proportions were created as a part of the research.
Tlatēmōliztli: We stared our initial research by understanding the immediate context and approach to the site to understand the flow of users . It was also important to keep in mind the typology of people visiting the building to retain hierarchy of public to private places. Analyzing the climatic factors to device the allocation of spaces to achieve diffused natural light into the interior spaces. It was very important to achieve a striking material aspects, responding to climate and local availability.
Tēyōllālīliztli: The site lacks specific context, at the same time the connecting approach road chops the site into a trapezoidal shape. We tried to transform this progressive movement of the road along the site into geometry by wrapping up the spaces into a continuous facade, With an intent where the structure lifts itself up from the ground and transforms itself into a dynamic geometry. Some parts of this wrap form a landscape layer, while others a protective skin, reducing the heat gain from the south.
Tēquitl Cāhuitl: The project started in November 2018 and got completed in February 2019, The Project is located in Bharuch, Gujarat, India
Tēquitl Ōhuitl: As one enters, tones of grey on wall and floors are complemented by the outdoor greens of landscape, drawing an individual to a reception foyer. The sales area along the south side receives filtered light through the wrapped facade with minimal heating. Being a compact space, the passage along the north side with glass pane brings ample natural light giving a larger feel. The movement terminates at the director’s cabin, a lavish space with an outdoor deck and connecting green space.
Calpolli Tlācah: Boney Keriwala, Alak Parmar, Taikhum Shaikh, Aadil Amla
Īxiptla Tlanēxtīlli: Image courtesy : Panchkon Stills, Mr. Yash Parekh
Image #1 : Panchkon Stills
Image #2 : Panchkon Stills
Image #3 : Panchkon Stills
Image #4 : Panchkon Stills
Image #5 : Panchkon Stills