Tlanāhuatīlli Absinthe Ixtlapocatzaualiztli Tlachihualiztli ītēchcopa Vivian Lu cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Ixitiliztli Toltecayotl, Ixitilizpan, Nemachiyotl ihuan Tlanextiloyan Tlachihchihualiztli Nēhuilīztli Tlamantli.
IztacteocuitlatlIxitiliztli Toltecayotl· 2020
Absinthe Ixtlapocatzaualiztli Tlachihualiztli
īpal Vivian Lu
Tlanāhuatīlli: Vivian Lu Design Studio Limited
Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Ixitiliztli Toltecayotl Tlamantli
Tlaneltīlīlli Tēmacēhualōni
Xictlaneltilia Tēmacēhualli ītēchcopa #98919Tlanēxtilistli
Ītechcopa Absinthe Ixtlapocatzaualiztli Tlachihualiztli
Absinthe ce ixtlapocatzaualiztli tlachihualiztli tlen omochiuh ipampa ce tlaixnextiliztli ica tlamachiliztli tonanacayo, tlaneltiliztli iuan tlalnamiquiliztli. In ixtlapoatentli momamana ipan ce ixtlapocatzaualiztli tlen quixnextia cahuitl iuan no huel moititta quen ce cicitlaltentli anozo ce mizetiliztli tlen ayic tlami. In tlilticayo tlanextia panelli tlen tlapachiuhtoc ica tlapaltilistli tlen omomayauh quinezcayotia ce huey iuan tlamahuizolli semanahuactli. Ce laser tlahuiltehuilotl caquiztli tlaixnextiani cahua caquiztli ma motto, pampa in laser tlahuilmecatl motlacoyaua ica in tlacaquiliztli tlen intozqui in tlaahuiltianime. Nochi in ilacatztli in ixtlapoatentli omotlatemoli inic in tlaahuiltianime huel nemizque, motlalozque iuan tlecozque ica tlacetlaliliztli.
Tēixīmachōtiliztli
Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl
Absinthe Ixtlapocatzaualiztli Tlachihualiztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Absinthe Ixtlapocatzaualiztli Tlachihualiztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Absinthe Ixtlapocatzaualiztli Tlachihualiztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.
Tlanēxtilistli Ītēixpan
Āmatl Tlanextīliztli
Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.
- Cē Zan Ītēchcopa
- Vivian introduced the technology of laser light sound visualiser to magnify senses in the whole theatrical experiences, and allowed sound to be seen. She custom-made different laser light gadgets and experiments with different materials to find the best one to be used on stage. Every angle of the middle circular stage was carefully designed and the inclusion of technology brought a whole new blend of artistic richness in theatre. The beauty of the design is the limitless interpretation of the set according to their understanding of the play. The oval stage represents time, but can be seen as the milky way, Möbius band etc.
- Huēyiliztli īhuān Tlacualtepēhualli
- Vivian experimented with different forms of custom-made sound laser visualiser to best utilise actors on stage
- Tōcāitl
- Scenography, Stage Design, merging physics and set design
- Tlachīhualiztli Māchiyōtl
- The project required a lot of research and experimentation, especially experimenting with the laser light sound visualizer, making sure the visuals created from different sound frequencies went hand in hand with the general set design. A lot of prior research also had to be done on the subject matter or physics, black holes and relativity, to create a stage that portrayed elements of these subjects, to allow audiences to quickly connect and be immersed into the show as it was a play that discussed quite complex subjects. For the staging and material we chose dark reflective panels to create the effect of this vast yet mysterious universe, also covering it with splattered paint to symbolise the milky galaxy. This and stage received great feedback, and special mentions on review platforms highlighted and praised the stage design and effects, and how it truly immersed people into the story.
- Tlanāhuatīlli Nētēcahuilīztli
- On the initial design part, there are a lot of discussions on how to tactic a complex play, where many deep subjects were discussed and visually portray it all in a manner that guided the audience into the topics and be immersed into the world. Technically during production the curvature of the oval shape had to be very exact, as we wanted to visually make it look really smooth when we detach it to different shapes. The kinds of wheels were also a very big technical challenge as the different points of attaching the wheels made a huge difference on the stage's mobility.
- Tlatēmōliztli
- Every angle of the main stage was experimented with consideration of the feasibility on how actor’s move on set. We experimented with different inclination of the set and prior to the performance, we trained actors to walk, run and jump at different angles we have on the circular stage to avoid stage accidents. The whole stage was built with extensive technological difficulties and precision because we had to find the balance of designing it to achieve desired artistic visual but also take intensive examination that structurally it is strong enough withstand immense weight.
- Tēyōllālīliztli
- Absinthe was a project that has given Vivian a chance to explore potential visuals merging physics and scenography. It was a play that explored topics on physics, matter and psychology. She wanted to experiment with different ways to unearth a new power to enhance audiences sense in the whole theatrical experiences. Vivian wanted to find new ways to capture audience’s imagination and to see how to create different relationship with time.
- Tēquitl Cāhuitl
- The show was first showcased in Beijing in 2019 then toured around in Shenzhen and Shanghai in 2020.
- Tēquitl Ōhuitl
- Through the sound vibrations spoken from the actors, laser lights were distorted based on the frequency of spoken sound. The visuals that came out from the actors and actress voice varies drastically due to the pitch of their specific voice.. The actors rehearsed for months with the devices to create a specific imagery to go with the set design.
- Calpolli Tlācah
- Stage Designer : Vivian Lu
Director : Johnny Tam
Tlacōhualli
Xictlahtlachia Achi Huēca Designers.org
Xictēmoa tlanāhuatīlli, tēquitl īhuān tlanāhuatīlli ītēchcopa totlanōnōtzalcāhuān.
Ōc Cequi Tiquitta
Tlanēxtīliztli Tlanāhuatīlli
Xiquitta ōc cequi tlanēxtīliztli tēixīmachōtīlli īpan inīn tlahtlamanilistli, tlapepenalli ītechcopa īnqualli.
