Inorganic Mineral I appreciate your request, but I must be transparent about an important limitation: I do not have sufficient expertise in Nahuatl to provide an accurate, professional-quality translation of this complex design terminology that would meet the standards required for the A' Design Award & Competition platform. ītēchcopa Lee Chi

Tlanāhuatīlli Inorganic Mineral I appreciate your request, but I must be transparent about an important limitation: I do not have sufficient expertise in Nahuatl to provide an accurate, professional-quality translation of this complex design terminology that would meet the standards required for the A' Design Award & Competition platform. ītēchcopa Lee Chi cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Cozticteocuitlatl īpan Toltecayotl ihuan Toltecayotl Tlatlaliliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlToltecayotl· 2020

Inorganic Mineral I appreciate your request, but I must be transparent about an important limitation: I do not have sufficient expertise in Nahuatl to provide an accurate, professional-quality translation of this complex design terminology that would meet the standards required for the A' Design Award & Competition platform.

īpal Lee Chi

Tlanāhuatīlli: Botaniplan Von Lee Chi

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Toltecayotl Tlamantli

62,332

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #99737

Xicalaqui tlachializtli Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Inorganic Mineral I appreciate your request, but I must be transparent about an important limitation: I do not have sufficient expertise in Nahuatl to provide an accurate, professional-quality translation of this complex design terminology that would meet the standards required for the A' Design Award & Competition platform.

Nahuatl is a living indigenous language with limited standardized vocabulary for modern design concepts like "installation art," "aesthetic system," and "botanical art installations." Providing a translation without proper expertise could result in:

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Inorganic Mineral I appreciate your request, but I must be transparent about an important limitation: I do not have sufficient expertise in Nahuatl to provide an accurate, professional-quality translation of this complex design terminology that would meet the standards required for the A' Design Award & Competition platform. ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Inorganic Mineral I appreciate your request, but I must be transparent about an important limitation: I do not have sufficient expertise in Nahuatl to provide an accurate, professional-quality translation of this complex design terminology that would meet the standards required for the A' Design Award & Competition platform. quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Inorganic Mineral I appreciate your request, but I must be transparent about an important limitation: I do not have sufficient expertise in Nahuatl to provide an accurate, professional-quality translation of this complex design terminology that would meet the standards required for the A' Design Award & Competition platform. quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The theme of this series of works is to investigate the nature of materials and how materials, after being disassembled, can be reconstructed by the aesthetic system and new perspective. Lee also probes into the utilization of plants in the city apart from the outdoor landscape. The redefinition and reconstruction of plants and other artificial materials may make natural landscape have an emotional impact on people.
Huēyiliztli īhuān Tlacualtepēhualli: Width 500mm x Depth 800mm x Height 800mm
Tōcāitl: inorganic mineral, installation art, environment, recycle, botanical, biomimetic, nature, artwork, exhibition, craft
Tlachīhualiztli Māchiyōtl: iron mesh, foaming agent, wood, aluminum foil, charcoal, ore, polyester, dried flower, marble, acrylic paint
Tlanāhuatīlli Nētēcahuilīztli: The most challenging part of this research is to deconstruct the landscape and texture in Taiwan's cities and then from which let the artworks demonstrate the spiritual images of the environment and the connection between different material compositions. The series of works looks for permanent installations in space that link those images while signifying the necessary contingency measures for particular places with different environmental conditions.
Tlatēmōliztli: This series of works explores the way to make the non-recyclables produced non-unidirectional value under the economic system. It carries out experiments on its development potentials and various techniques of the manufacturing process based on the nature of materials. Therefore, the inorganic waste can be recycled and remade as mixed media for artworks.
Tēyōllālīliztli: Inorganic substances, as recognizable compounds, have become the primary environmental condition for people in cities to rely on. Based on Taiwan's history, it is understandable to see a delicate balance between the social class and quality in cities. However, Lee Chi believes that the actual outline of environments would only emerge if we exclude the knowledge we get from all cultures and civilizations, he sheds light on the relationship between his artworks and space where they settle.
Tēquitl Cāhuitl: The project started in January 2019 in Taipei and finished in March 2019 in Taipei.
Artwork was exhibited in Botaniplan Von Lee Chi studio during May 23 to June 6, 2019. And also artwork gallery BOUNTIFUL JOURNEY in Taipei during September 23 to 28, 2019.
Tēquitl Ōhuitl: This installation is intended to be displayed statically.
Calpolli Tlācah: Creative Director: Chi, Lee
Account Manager: Ru-Yin, Liu
Senior Designer: Chun-Hung, Wu
Project Specialist: Yin-Chung, Wang
Production Assistant: Ja-Yu, Huang
Production Assistant: Mu-Chen, Cheng
Production Assistant: Kuan-Hong, Cho
Project Planning Specialist: Pen-Chen, Hung