Clay Moulded Teaterinteriørdesign av Marius Mateika

Designet Clay Moulded Teaterinteriørdesign av Marius Mateika er en høyt verdsatt vinner av den svært prestisjetunge 2025 A' Design Award i Gull i konkurransekategorien Interiør- og utstillingsdesign.

GullInteriør· 2025

Clay Moulded Teaterinteriørdesign

av Marius Mateika

Klient: Mama architects

Vinner av A' Design Award i Gull i kategorien Interiør

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Designet

Om Clay Moulded Teaterinteriørdesign

Clay Moulded er interiørdesignet til et musikkteater i Klaipeda, Litauen. Leire dekker vegger og tak, og over 30 tonn av materialet ble påført for hånd. Mønsteret i hovedsalen er sammenhengende og løper fra den ene enden av rommet til den andre. En belegningsprosess i syv trinn ble utviklet for prosjektet, inkludert sprøyting, mønstring, tørking, skrubbing, glasering og konservering. Veggene og taket kan åpnes og lukkes for å kontrollere lydrefleksjoner, slik at rommet tilpasser seg konserter, teaterforestillinger og møter. Salen har plass til 700 personer.

Anerkjennelsen

Om A' Design Award i Gull

Clay Moulded Teaterinteriørdesign er vinner av A' Design Award i Gull, en enormt prestisjefylt anerkjennelse som tildeles førsteklasses, praktfulle og enestående design. Gullvinnere er usedvanlig nyskapende, visjonære og glamorøst blendende skaperverk som gjenspeiler designernes geni, visdom og dyktighet. Clay Moulded Teaterinteriørdesign forventes å være en høyt rost, trendsettende og monumental oppfinnelse som gir enestående verdi. Dette designet, som har vunnet A' Design Award i Gull, er et spektakulært, respektert prosjekt som i høy grad gagner og flytter grensene for kunst, vitenskap, design og teknologi. Clay Moulded Teaterinteriørdesign skaper intense følelser av begjær, vekker lidenskap, oppmuntrer til kreativitet og fascinerer oss.

Bak designet

Pressepakke

Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.

Unike egenskaper: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Dimensjoner og emballasje: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Stikkord: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Produksjonsteknologi: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Designutfordring: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Forskning: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inspirasjon: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Prosjektvarighet: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Driftsflyt: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Teammedlemmer: Architects: Marius Mateika
Bildekreditering: Photographer: Leonas Garbačauskas