Dizayini ya The Armor Primary Function: Zovala za Zisudzo ndi Samantha Chijona Garcia and Vladimir Cuenca ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2020 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Luso la Pasetiyi, Mawonekedwe ndi Zokongoletsera.
SilivaLuso la Pasetiyi· 2020
The Armor Primary Function: Zovala za Zisudzo
ndi Samantha Chijona Garcia and Vladimir Cuenca
Kasitomala: Jazz Martinez Gamboa
Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Luso la Pasetiyi
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #102743Kapangidwe
Za The Armor Primary Function: Zovala za Zisudzo
Zida Zodzitchinjiriza ndi zovala za zisudzo zopangidwa kwa munthu wotchedwa Richard III mu sewero la Shakespeare. Zovalazi zopangidwa kuchokera ku zinthu zomwe zinabwezeretsedwanso ndi zomwe zinasiyidwa. Mizere yachitsulo inasokedwa pa jekete la twill, pomwe zovala za nyanga zomwe zimapindana zimapanga mapangidwe osiyana omwe amalumikizidwa ndi zingwe za nyanga ndi mabakolo. Magolovesi a chainmail amatseka manja a chovala, ndipo chipewa cha velvet chokutidwa ndi zidutswa za chitsulo chimagwira ntchito ngati chipewa chachitsulo. Zigawo zisanu ndi chimodzi zitha kuwonjezedwa kapena kuchotsedwa pamene munthuyo akusintha mu sewero. Mapangidwewa amawonetsa mfumu komanso munthu wofooka mkati mwake.
Chidziwitso
Za Mphoto ya Siliva ya A' Design Award
The Armor Primary Function: Zovala za Zisudzo ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. The Armor Primary Function: Zovala za Zisudzo akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. The Armor Primary Function: Zovala za Zisudzo ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
- Miyezo ndi Kuphimba
- Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm - Zizindikiro
- Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
- Teknoloji Yopangira
- The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees. - Vuto la Dizayini
- The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
- Kafukufuku
- My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
- Chilimbikitso
- Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
- Nthawi ya Polojekiti
- The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
- Mdondomeko ya Ntchito
- The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
- Petensi
- Copyrights belong to Chijona, Samantha, 2018
- Mamembala a Gulu
- Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca - Mwini Zithunzi
- Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
