For Georges Rousse Mphoto ndi Hasong Lee

Dizayini ya For Georges Rousse Mphoto ndi Hasong Lee ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2020 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Miphotho, Ziphotho ndi Mapikisano.

SilivaMphotho· 2020

For Georges Rousse Mphoto

ndi Hasong Lee

Kasitomala: Hasong Lee

Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Mphotho

85,670

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #104814

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za For Georges Rousse Mphoto

Ya Georges Rousse ndi mphoto yopangidwa ngati ulemu kwa wojambula zithunzi wa ku France. Mphotoyi ndi chosema cha mbali zitatu chozikidwa pa anamorphosis, njira ya maonekedwe momwe mawonekedwe amaoneka opotoka kuchokera kuzigawo zambiri. Poyang'ana kuchokera pa malo enaake, mizere yopindidwa imalongosoka ndikuwonetsa bwalo losalala lokhala ndi mabowo amitundu. Mawonekedwewa anapangidwa ndi pulogalamu ya kompyuta ya mbali zitatu. Zitsulo za cupro-nickel ndi siliva zinadulidwa, kupindidwa ndi kuwumbidwa, kenako kupatsidwa mitundu ndi kutentha kuti akhale ndi kusiyana pakati pa mtundu wakuda ndi woyera. Mphotoyi ili ndi kukula kwa 115 ndi 137 ndi 154 millimeters.

Chidziwitso

Za Mphoto ya Siliva ya A' Design Award

For Georges Rousse Mphoto ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. For Georges Rousse Mphoto akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. For Georges Rousse Mphoto ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Miyezo ndi Kuphimba: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Zizindikiro: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Teknoloji Yopangira: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Vuto la Dizayini: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Kafukufuku: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Chilimbikitso: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Nthawi ya Polojekiti: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Mdondomeko ya Ntchito: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Mamembala a Gulu: Hasong Lee
Mwini Zithunzi: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.