The Pitched Roof Nyumba ndi Takaharu Tezuka and Yui Tezuka

Dizayini ya The Pitched Roof Nyumba ndi Takaharu Tezuka and Yui Tezuka ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2021 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Nyumba, Zomanga ndi Zomangidwa.

SilivaZomangamanga· 2021

The Pitched Roof Nyumba

ndi Takaharu Tezuka and Yui Tezuka

Kasitomala: Tezuka Architects

Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Zomangamanga

20,495

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #117210

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za The Pitched Roof Nyumba

Pitched Roof ndi nyumba ya nsanjika imodzi ku Karuizawa, ku Japan, yophimbidwa ndi denga losongoka losavuta kwambiri. Malo okhala pansi pa denga ndi 40 peresenti okha omwe ali otsekedwa, choncho malire pakati pa mkati ndi kunja amakhalabe ofewa. Denga lopachikika limafika mamita opitilira asanu ndi limodzi ndi mapangidwe okhala ndi makulidwe a mamilimita 200 okha. Malo opindidwa, ooneka ngati L amagwira ntchito ngati chinthu chogwirizana chimodzi ndipo amachepetsa zochirikiza zofunikira. Zitseko zoterera zimalola okhalamo kusintha khalidwe la malo okhala. Nyumbayi imamasuliranso zolinga za matsinde akuya a zomangamanga zamwambo za ku Japan.

Chidziwitso

Za Mphoto ya Siliva ya A' Design Award

The Pitched Roof Nyumba ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. The Pitched Roof Nyumba akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. The Pitched Roof Nyumba ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Miyezo ndi Kuphimba: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Zizindikiro: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Teknoloji Yopangira: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Vuto la Dizayini: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Kafukufuku: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Chilimbikitso: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Nthawi ya Polojekiti: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Mdondomeko ya Ntchito: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Mamembala a Gulu: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Mwini Zithunzi: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.