Sacred Trees II Ntchito Yaikulu Yojambula Zithunzi ndi Yoshimi Sugiyama

Dizayini ya Sacred Trees II Ntchito Yaikulu Yojambula Zithunzi ndi Yoshimi Sugiyama ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2022 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Kujambula Zithunzi ndi Kusintha Zithunzi.

BronzeKujambula Zithunzi· 2022

Sacred Trees II Ntchito Yaikulu Yojambula Zithunzi

ndi Yoshimi Sugiyama

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Kujambula Zithunzi

33,952

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #127884

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Sacred Trees II Ntchito Yaikulu Yojambula Zithunzi

Mawu a M'buku: Sacred Trees II ndi mndandanda wa zithunzi zojambulidwa ndi kuwala pa mitengo yakale. Chithunzi chilichonse chinajambulidwa dzuwa litalowa kapena pansi pa kuwala kwa mwezi, ndi nthawi ya kujambula yochokera pa mphindi zisanu mpaka makumi awiri. Panthawi ya kujambula iliyonse, mitengoyo inkajambulidwa ndi kuwala kwa nyali zingapo zomwe zinali ndi magalasi a mitundu yosiyanasiyana. Ntchito zomalizidwa zikuwonetsedwa monga zithunzi zosindikizidwa za mainchesi 24 ndi 30, ndi mitundu ndi mawonekedwe okonzedwa mosamala mkati mwa chithunzi chilichonse. Mndandandawu ukusonyeza chikhulupiriro chakale cha ku Japan chakuti mitengo, miyala, ndi madzi ndi malo opumira a milungu, ndipo ukufuna kuwonetsa kupezeka kwauzimu kwa chilengedwe.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Sacred Trees II Ntchito Yaikulu Yojambula Zithunzi ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Sacred Trees II Ntchito Yaikulu Yojambula Zithunzi akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Sacred Trees II Ntchito Yaikulu Yojambula Zithunzi amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This is an expression of spiritual essence of nature through photographs by illuminating those natural creations which are the oldest living organisms on the planet. The Animism Series is for the audiences to feel the warmth of the nature and exciting world of brightly lit illusion. These works are very unique and different from others because creating them requires one of the most difficult photography techniques, such as painting with several flash lights simultaneously at night in the dark
Miyezo ndi Kuphimba: 24 inch X 30 inch
Zizindikiro: Animism, Sacred Trees, Landscape Photograph, Nature, Tree,
Teknoloji Yopangira: This series is Light Painting Photography.
These photographs were taken after sunset before total darkness or under the moonlight . I painted by flash lights with some color gels during　exposure for about 5 to 20 minutes.
Vuto la Dizayini: With respect to the technical aspect, it was very difficult to get right exposure and balancing between natural light and artificial light. The challenge was to show the color of light which I wanted to show. I was able to show such vivid color based on my accumulated efforts and repetitive experiments. The color of gels I was able to see with my eyes did not show the same color in the picture, the color in the picture differed depending on the color of the object, surface, light source (such as LED or tungsten). I had to control length of shutter speed, aperture, and artificial light.
Kafukufuku: This requires a research of exposure, which is controlled by ISO, aperture, shutter speed, and intensity of flashlight beam. The 4 elements must be balanced perfectly depending on the external factors. The light of sun, moon, and streetlamps affect all measurements. The color of objects (trees) also affect. Objects absorb the light and change the light reflectance. A few experimental shots will be taken by a digital camera to collect data to find perfect measurements. This hard to achieve perfect measurement creates a one of a kind design which gives an audience a pleasant surprise.
Chilimbikitso: When I learned about my Japanese family roots, I became interested in learning more about my roots, culture and history. I came to learn that people in Japan have, since ancient times, held a belief toward natural creations, such as trees, rocks, and water as the resting place of Gods. The giant trees and ancient trees we see today have survived various natural disasters, and people have worshiped them as extraordinary living things reflecting their appreciation and thoughts in various ways. I
Nthawi ya Polojekiti: The project started in May 2003 in California and finished in July 2019
Mdondomeko ya Ntchito: These photographic designs and images of nature are in printed form. The balance and harmonyof each color and object are carefullyarranged in a frame."Apicture tells a thousand words." Thesemysterious images and colors, which do not exist in nature, grab the audience's attention and gain interaction. By looking at the images, the audience will immediately create own storyand meaning of natural wonder and get inspired. The audience will enjoy seeingthe active lifemovement inside the two dimensional world of a color photograph.That is the power of photography.
Petensi: Copyrights belong to Yoshimi Sugiyama, 2021
Mwini Zithunzi: Photographer / Yoshimi Sugiyama