Yatsugatake Villa Villa ndi Kiyotoshi Mori and Natsuko Kawamura

Dizayini ya Yatsugatake Villa Villa ndi Kiyotoshi Mori and Natsuko Kawamura ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2022 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Nyumba, Zomanga ndi Zomangidwa.

BronzeZomangamanga· 2022

Yatsugatake Villa Villa

ndi Kiyotoshi Mori and Natsuko Kawamura

Kasitomala: MDS Co., Ltd.

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Zomangamanga

11,775

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #129187

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Yatsugatake Villa Villa

Nyumba ya Yatsugatake ndi nyumba yokhala nthawi yotentha yomwe ili mumzinda wa Hokuto, m'chigawo cha Yamanashi, ku Japan. Nyumbayi ndi yopangidwa ndi machubu atatu ooneka ngati trapezoid amene ayikidwa mofanana ndi fani ndipo amatsegukira kum'mwera. Chipata chachikulu chakumwera chimalola kuwala kwa dzuwa panthawi yozizira, pamene denga lotalikirapo ndi makonde a mbali zimateteza ku dzuwa lamphamvu la nthawi yotentha. Mazenera akumpoto ndi akum'mwera amalola mphepo kupita mkati mwa nyumbayo. Njira zachikhalidwe za Japan zomangira nyumba za matabwa zimagwiritsidwa ntchito, pogwiritsa ntchito mtengo wa cedar, plasta, ndi zenera za shoji. Zenera za shoji zimene zatsekedwa zimapereka kuwala kofewa, pamene zenera zotseguka zimasonyeza malo ozungulira a mapiri momveka bwino.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Yatsugatake Villa Villa ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Yatsugatake Villa Villa akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Yatsugatake Villa Villa amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Miyezo ndi Kuphimba: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Zizindikiro: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Teknoloji Yopangira: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Vuto la Dizayini: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Kafukufuku: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Chilimbikitso: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Nthawi ya Polojekiti: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Mdondomeko ya Ntchito: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Mamembala a Gulu: Kiyotoshi Mori
Natsuko Kawamura
Mwini Zithunzi: Photography: Toshiyuki Yano