Device of Perception Malo Ophunzitsira Chikhalidwe ndi Yuting Zhang

Dizayini ya Device of Perception Malo Ophunzitsira Chikhalidwe ndi Yuting Zhang ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2022 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Nyumba, Zomanga ndi Zomangidwa.

BronzeZomangamanga· 2022

Device of Perception Malo Ophunzitsira Chikhalidwe

ndi Yuting Zhang

Kasitomala: Yuting Zhang

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Zomangamanga

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Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #138650

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Device of Perception Malo Ophunzitsira Chikhalidwe

Device of Perception ndi malo ophunzitsira chikhalidwe ku Mexico City, omwe ali pakati pa dera lakale la nyumba zazifupi ndi malo azamalonda amakono a nyumba zazitali. Malowa ali ndi malo okwana pafupifupi mamita lalikulu 4500 ndipo ali ndi holo yophunzitsira, siteji yaing'ono, malo owonetsera zinthu, maofesi, malo osungiramo katundu ndi kafe. Bwalo lolowera lomwe lili pansi pang'ono limalekanitsa nyumbayo ndi msewu waukulu wodzaza ndi anthu, ndipo limagwiranso ntchito ngati kupitiriza kwa siteji yamkati. Chigawo chilichonse cha nsanja yaifupiyi chimazungulira gawo limodzi mwa magawo anayi, kupanga njira yozungulira ya alendo yomwe ili ndi mawindo owonetsera mzindawo. Ntchito iyi inagwiritsa ntchito konkire yolimbitsidwa ndi chitsulo chopirira nyengo.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Device of Perception Malo Ophunzitsira Chikhalidwe ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Device of Perception Malo Ophunzitsira Chikhalidwe akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Device of Perception Malo Ophunzitsira Chikhalidwe amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Miyezo ndi Kuphimba: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Zizindikiro: cultural center, gallery, theater, exhibition
Teknoloji Yopangira: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Vuto la Dizayini: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Kafukufuku: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Chilimbikitso: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Nthawi ya Polojekiti: 2017 in Mexico City
Mdondomeko ya Ntchito: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Mamembala a Gulu: Yuting Zhang
Mwini Zithunzi: Yuting Zhang