Lumenica Gulu la Zoyatsira ndi Vergunovs and Maria Kolesnikova

Dizayini ya Lumenica Gulu la Zoyatsira ndi Vergunovs and Maria Kolesnikova ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2025 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zowunikira ndi Zipangizo za Kuwala.

BronzeZowunikira· 2025

Lumenica Gulu la Zoyatsira

ndi Vergunovs and Maria Kolesnikova

Kasitomala: O.M. Beketov National University of Urban Economy in Kharkiv

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Zowunikira

31,747

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #168502

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Lumenica Gulu la Zoyatsira

Lumenica Luminaire imafufuza kamvetsedwe pakati pa kuwala, zinthu, ndi mawonekedwe kudzera m'mapangidwe amadzimadzi a galasi opindika mwa parameta. Chilichonse chimapangidwa kudzera mu kuumba ndi kutentha ndi kuzizira koyang'aniridwa, kupanga mapangidwe opindika omwe amakulitsa kutayirira kwa pamwamba. Kusiyana pakati pa madera osalathu ndi onyezimira kumapanga gradient ya kuwala, yomwe imasintha malinga ndi mmene wowonera akuwonera. Mitundu yochepa imagogomezera chikhalidwe cha bionic ndi chosema cha zinthuzo, kuyanjana kufanana ndi chilengedwe. Choyatsirachi chikuwoneka ngati chopangidwa mwaukadaulo komanso chamoyo, kupanga zotsatira za mawonekedwe zomwe zimapatsa moyo malo ozungulira.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Lumenica Gulu la Zoyatsira ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Lumenica Gulu la Zoyatsira akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Lumenica Gulu la Zoyatsira amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The Lumenica lighting collection is inspired by the bionic forms of nature - flowers, mushrooms and jellyfish. Its uniqueness lies in the combination of refined glass with dynamic reliefs that create the effect of movement. The use of frosted, transparent and colored glass emphasizes natural imagery, while twisted relief glass gives the luminaires a lively, organic plasticity. Lumenica combines the aesthetics of nature and innovative design.
Miyezo ndi Kuphimba: The Lumenica collection includes fixtures in the following sizes: table lamp 1 - 115 mm (w) × 246 mm (h) × 160 mm (d), wall lamp - 126 mm (w) × 340 mm (h) × 176 mm (d), table lamp 2 - 115 mm (w) × 442 mm (h) × 183 mm (d), pendant lamp - 128 mm (w) × 346 mm (h) × 196 mm (d).
Zizindikiro: Lamps, bionics, glass, luminaires, nature, relief glass, modern design, dynamics, organic forms.
Teknoloji Yopangira: Lumenica collection luminaires are made of glass, combining frosted, transparent and colored elements. The key technology is the twisting of relief glass, creating a dynamic optical effect. The glass is hand-blown, then molded and textured. The color scheme enhances biomorphic associations, emphasizing natural forms. The methods used ensure high quality, the uniqueness of each piece and the harmony of light with the material.
Vuto la Dizayini: The most challenging part of Lumenica's design work was overcoming technological and creative obstacles. The creative challenge was to organically adapt the bionic forms into a functional luminaire design. Challenges arose during the glass processing phase: twisting and texturizing techniques had to be developed, which required careful refinement of techniques and experimentation.
Internal factors included a lack of experience with certain materials and techniques, and the need to consider aesthetic and functional aspects of the design. External factors, such as the availability of information on glass technology and limitations in production capabilities, also influenced the process.
The historical perspective and social context, taking into account current trends in design and sustainability, required careful attention to the selection of materials and methods. By overcoming these challenges, it has been possible to create unique and harmonious luminaires that meet today's design and environmental requirements.
Kafukufuku: The research for the Lumenica project focused on the study of bionic forms in nature and their adaptation in lighting design. The goal was to create luminaires that convey an organic aesthetic through material and lighting effects. The methodology included analysis of natural structures, sketching, 3D modeling, and experiments with glass shaping. The work explored glass properties, transparency, texture and processing techniques. Experiments were conducted with relief twisting of glass to create a dynamic visual effect. Participants in the process included faculty, mentors, and students whose feedback helped refine the concept. The result was a collection of luminaires that combined the aesthetics of nature and modern glass processing techniques. The research showed that bionic forms can not only inspire design, but also enhance the perception of light in a space. This approach can be in demand in interior and industrial design, creating harmonious and functional lighting objects.
Chilimbikitso: The Lumenica collection is inspired by the organic aesthetics of nature. The idea was to convey their flowing, airy forms through glass, emphasizing the play of light and the sense of movement. The study of biomorphic structures and glass processing techniques made it possible to create a relief with a twisting effect that gives the luminaires dynamics. This project combines craft tradition, experimentation with material and natural harmony in design.
Nthawi ya Polojekiti: The Lumenica luminaire collection was developed as part of a training program in which it was necessary to create a luminaire(or a collection of luminaires) on the theme of any concept. The focus was on bionic forms of nature. Work on the collection began in September 2024 and was completed in the winter of December 2024. The collection was presented at the University's artwork viewing in December 2024, where it was shown to other students and faculty.
Mdondomeko ya Ntchito: Standard switching of luminaires.
Mamembala a Gulu: Sergey Vergunov
Maria Kolesnikova