Clay Moulded Kapangidwe ka Mkati mwa Nyumba ya Zisudzo ndi Marius Mateika

Dizayini ya Clay Moulded Kapangidwe ka Mkati mwa Nyumba ya Zisudzo ndi Marius Mateika ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2025 Mphoto ya Golide ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

GolideMkati· 2025

Clay Moulded Kapangidwe ka Mkati mwa Nyumba ya Zisudzo

ndi Marius Mateika

Kasitomala: Mama architects

Wopambana pa Mphoto ya Golide ya A' Design Award mu Gawo la Mkati

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Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #171457

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Clay Moulded Kapangidwe ka Mkati mwa Nyumba ya Zisudzo

Clay Moulded ndi kapangidwe ka mkati mwa nyumba ya zisudzo za nyimbo ku Klaipeda, Lithuania. Dothi lophikidwa (clay) lakuta makoma ndi denga, ndipo matani opitilira 30 a zipangizozi anapakidwa ndi manja. Mawonekedwe a chipinda chachikulu ndi opitilira ndipo amayenda kuchokera kumapeto ena a malowa mpaka ku mapeto ena. Ndondomeko ya kupaka ya magawo asanu ndi awiri inapangidwa pa ntchitoyi, kuphatikizapo kupopera, kupanga mawonekedwe, kuumitsa, kukolopa, kunyezimitsa ndi kusunga. Makoma ndi denga zimatha kutseguka ndi kutseka kuti ziwongolere kubwerera kwa mawu, kotero malowa amasintha kuti agwirizane ndi makonsati, masewero a zisudzo ndi misonkhano. Chipinda cha owonerera chimakhala ndi mipando ya anthu 700.

Chidziwitso

Za Mphoto ya Golide ya A' Design Award

Clay Moulded Kapangidwe ka Mkati mwa Nyumba ya Zisudzo ndi mmodzi mwa opambana a Mphoto ya Golide ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe a pamwamba, odabwitsa ndi odziwika. Opambana a Golide ndi zolengedwa zatsopano kwambiri, zoona patali ndi zonyezimira zomwe zimaonetsa luntha, nzeru ndi luso la opanga awo. Clay Moulded Kapangidwe ka Mkati mwa Nyumba ya Zisudzo akuyembekezeka kukhala chopangidwa chotamandidwa kwambiri, chokhazikitsa zochitika ndi chachikulu chomwe chimabweretsa phindu losawonekapo kale. Mapangidwe opambana Mphoto ya Golide ya A' Design Award awa ndi ntchito yodabwitsa, yolemekezeka yomwe imapindulitsa kwambiri ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Clay Moulded Kapangidwe ka Mkati mwa Nyumba ya Zisudzo amabweretsa zilakolako zamphamvu, kudzutsa chidwi, kulimbikitsa luso lolenga ndi kutikopa.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Miyezo ndi Kuphimba: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Zizindikiro: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Teknoloji Yopangira: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Vuto la Dizayini: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Kafukufuku: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Chilimbikitso: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Nthawi ya Polojekiti: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Mdondomeko ya Ntchito: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Mamembala a Gulu: Architects: Marius Mateika
Mwini Zithunzi: Photographer: Leonas Garbačauskas