Royal Lab Morphis Primary Function: Kupatsa Mphamvu Anthu Pagulu ndi Juiyi Yen

Dizayini ya Royal Lab Morphis Primary Function: Kupatsa Mphamvu Anthu Pagulu ndi Juiyi Yen ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Kudziwitsa Anthu, Kuthandiza Kwaulere ndi Chikhalidwe.

ChitsuloKuthandiza Kwaulere· 2026

Royal Lab Morphis Primary Function: Kupatsa Mphamvu Anthu Pagulu

ndi Juiyi Yen

Kasitomala: Royal Brand Integration Ltd.

Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Kuthandiza Kwaulere

10,944

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #177337

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Royal Lab Morphis Primary Function: Kupatsa Mphamvu Anthu Pagulu

Book Text: Royal Lab imathandiza mwadongosolo, kuyambitsa maphunziro aukatswiri mkati mwa nthawi ya maphunziro, osati pambuyo pake. Chizindikiro chimapangika mwa kunyamula zotsatira zenizeni maphunziro asanamalize. Maubale omwe amakhazikitsidwa panthawi ya maphunziro amapitilira mpaka pantchito zodziyimira pawokha, ndipo netiweki imakhalabe ngati maziko aukatswiri kupitilira pulogalamu iliyonse imodzi. Mu 2026 idafalikira ku kupanga zinthu zamatabwa za Hida mokulira. Kubwerezabwereza kumabwera kudzera mwa kupitiriza kwadongosolo, osati kubwereza zomwe zili mkati. Pamene kupezeka kosavuta, kutumiza, ndi kuyankha mlandu zimagwira ntchito ngati mikhalidwe yadongosolo, maphunziro aukatswiri amakhala zotsatira za kapangidwe ka dongosolo.

Chidziwitso

Za Mphoto ya Chitsulo ya A' Design Award

Royal Lab Morphis Primary Function: Kupatsa Mphamvu Anthu Pagulu ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. Royal Lab Morphis Primary Function: Kupatsa Mphamvu Anthu Pagulu akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. Royal Lab Morphis Primary Function: Kupatsa Mphamvu Anthu Pagulu amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This project establishes a design-centered learning ecosystem that redefines streets, museums, and community venues as contextual laboratories. Unlike conventional programs, it brings together cultural heritage, collaborative creation, and international exchange directly within real-world settings. Supported by a volunteer-based structure, the initiative nurtures socially conscious creators and builds a sustainable framework that connects traditional craftsmanship with contemporary practice.
Miyezo ndi Kuphimba: The Borderless Learning model, implemented through Royal Lab in Tokyo between 2023 and 2025, applied a case study approach combining participatory observation and documentary evidence. More than 150 participants engaged in five workshop cycles coordinated by a twelve-member team (five core staff and seven interns). Activities held in museums, community venues, and studio environments facilitated cross-cultural exchange and intergenerational knowledge transfer, establishing a strong foundation for future adaptation and expansion.
Zizindikiro: Social Design, Living Labs, Borderless Learning, Cross-disciplinary Collaboration, Cultural Heritage, Civic Engagement, Value Co-creation
Teknoloji Yopangira: Our methodology treats education as an innovative production system in which relationships, knowledge networks and cultural assets function as core materials. These components are shaped through participatory processes that combine digital documentation with sustainable material experimentation. Together they form a Knowledge Replication Protocol, an adaptable and resilient framework designed to support skill transfer across diverse cultural and geographic contexts.
Vuto la Dizayini: The primary challenge was establishing credibility. The initiative confronted skepticism within exam-oriented educational cultures and concerns regarding safety and liability. Progress became possible only after generating verifiable outcomes and building partnerships with respected institutions such as Dentsu, ggg, and JAGDA. These collaborations demonstrated that community-based learning can operate professionally, securely, and with lasting cultural impact.
Kafukufuku: Our evaluation of the Borderless Learning model shows its effectiveness in reducing the gap between conceptual understanding and practical skill. Based on insights from more than 150 participants across multiple cycles, the project demonstrated measurable improvements in hands on capability and intercultural communication. The findings indicate a scalable approach for addressing educational inequity and supporting cross generational knowledge exchange through community driven practice.
Chilimbikitso: As a design studio working closely with industry and cultural partners, we observed a persistent gap between academic theory and practical application in Taiwan's learning environment. Inspired by Japanese mentorship models, we envisioned a borderless framework that equips learners with applied skills and cross cultural awareness. This initiative responds to shifting societal conditions and strengthens the link between education and industry, turning learning from passive absorption into an active force for social impact.
Nthawi ya Polojekiti: Our methodology views education as an innovative production system in which relationships, knowledge networks, and cultural assets function as core materials. These components are shaped through participatory processes that combine digital documentation with sustainable material experimentation. Together they form a Knowledge Replication Protocol, an adaptable and resilient framework designed to support skill transfer across diverse cultural and geographic contexts.
Mdondomeko ya Ntchito: This model operates through an iterative learning cycle that replaces static classrooms with in situ Living Labs. Each cycle begins with a community identified challenge and continues with field based collaboration among students, mentors and local participants to co develop practical solutions. The outcomes, including tangible results and accumulated insights, are reintegrated into the system to attract new volunteers and support continuous improvement with every iteration.
Mamembala a Gulu: Juiyi Yen
Yunyun Li
Jaiye Wu
Yachieh Chang
Jiayun Peng
Mwini Zithunzi: image #1:Photographer Tinghsuan Lin, A master craftsperson demonstrating traditional printing techniques—embodying intergenerational knowledge transfer through hands-on guidance, 2025.
image #2:Photographer Yuwei Wang, Measuring wooden letterpress type—learning typographic structure through hands-on alignment and size calibration, 2023.
image #3:Photographer Yunyun Li, Letterpress craftsmanship — reviving analog printing through embodied learning, 2025.
image #4:Photographer Yuwei Wang, Experiencing typographic works in situ—participants engage with printed specimens through reading, documentation, and close observation, 2023.
image #5:Photographer Tinghsuan Lin, Waste-to-material regeneration—reassembling irregular wood fragments into reusable composite panels through sustainable design practice, 2025.
Video: Motion Designer Jiayun Peng, RoyalLab Morphis, 2025; Sound Credit: Heyson, Love Love, Source:　www.epidemicsound.com.