Dumphani kupita ku nkhani
Algorithmic Flesh Kuyika Kogwirizana ndi Anthu ndi Yalin Wang

Dizayini ya Algorithmic Flesh Kuyika Kogwirizana ndi Anthu ndi Yalin Wang ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe Opangidwa ndi Makina, Algorithm, Parametric ndi AI.


BronzeZopangidwa ndi Makina· 2026

Algorithmic Flesh Kuyika Kogwirizana ndi Anthu

ndi Yalin Wang

Kasitomala: Yalin Wang

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Zopangidwa ndi Makina

12,432

Mitundu

Kapangidwe

Za Algorithmic Flesh Kuyika Kogwirizana ndi Anthu

Algorithmic Flesh ndi kuyika kogwirizana ndi anthu komwe kunapangidwa kuti kuwonetse cholowa cha chikhalidwe. Kuyikaku kumatsatira kayendedwe ka thupi la munthu wotenga nawo mbali pa nthawi yeniyeni ndipo kumagwiritsa ntchito deta ya kayendedweko monga zolowetsa mu dongosolo la luntha lochita kupanga lomwe limapanga zinthu zatsopano. Dongosololi linaphunzitsidwa pogwiritsa ntchito zithunzi za zojambula za pakhoma za Dunhuang ndipo limapanga wovina wakumwamba akuyenda pa chinsalu chachikulu chowonetsera. Pamene kayimidwe ka munthu kagwirizana ndi kayimidwe kojambulidwa ka pakhoma, chithunzithunzi cha wotenga nawo mbaliyo chimasandulika kukhala wovinayo. Cholinga chake ndi kusintha zosungidwa zosasuntha kukhala chochitika chogawana ndi chamoyo.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Algorithmic Flesh Kuyika Kogwirizana ndi Anthu ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Algorithmic Flesh Kuyika Kogwirizana ndi Anthu akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Algorithmic Flesh Kuyika Kogwirizana ndi Anthu amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera
Algorithmic Flesh is an interactive installation redefining cultural heritage preservation as Generative Revitalization. It introduces Somatic Prompting: bypassing text interfaces, the system uses the participant's real-time physical movements as the generative seed. This somatic input drives a deeply trained AI to computationally hallucinate a dynamic, multi-limbed celestial dancer in real-time, using data from UNESCO Dunhuang murals. The audience becomes active co-creators of a living ritual.
Miyezo ndi Kuphimba
As a digital installation, "Algorithmic Flesh" is highly scalable for gallery or museum contexts. The typical setup requires a projection area of at least 3m x 2m (supporting either 16:9 landscape or 9:16 portrait orientation, up to 4K resolution) and a participant interaction zone 3-4 meters from the screen.
Zizindikiro
Generative AI, Embodied Interaction, Digital Ritual, Cultural Heritage, Human-AI Co-Interpretation, Somatic Prompting, Interactive Art Installation, Dunhuang Murals, Algorithmic Art, Cultural Computing, Choreography
Teknoloji Yopangira
Algorithmic Flesh uses a custom, closed-loop machine learning pipeline within ComfyUI. Real-time, markerless biomechanical tracking is achieved via OpenCV, MediaPipe, and YOLO26. Visual synthesis is driven by a FLUX LoRA model, fine-tuned on Tang Dynasty Dunhuang murals for absolute aesthetic fidelity. Temporal coherence is managed by Wan 2.2 Mixture-of-Experts video architecture, while the Google Veo 3 API provides cinematic spatiotemporal synthesis and native, physics-based audio generation.
Vuto la Dizayini
The primary challenge was epistemological: How to reconstruct the dynamic, anti-gravitational flight of ancient murals in a virtual space without reducing them to lifeless 2D data? We emphasize not replacing the physical UNESCO Mogao Caves with a simulation, but speculating on new representation models. We challenge the passive museum dynamic, proposing an interactive framework where human flesh computationally hallucinates and sustains the continuous flow of a broken historical lineage.
Kafukufuku
This research addresses the loss of kinesthetic knowledge in static cultural heritage by introducing a Generative Revitalization framework. Pioneering somatic prompting, the project explores how a participant's body guides a generative AI without text. The machine, trained on Dunhuang mural archives, computationally generates lost transitional movements between ancient poses. This offers a new perspective on digital materiality, transforming a passive archive into an embodied, co-interpretive ritual.
Chilimbikitso
How can we reawaken a dance frozen in stone for a millennium? Traditional digital preservation secures visual fidelity but flat-lines the dynamic essence of the Dunhuang Apsara murals into static maps—a Crisis of Stasis. Inspired by Heimkehren (returning home) and Buddhist philosophies of Anitya (Impermanence) and Pratityasamutpada (Interdependence), the design treats machine intelligence as a collaborator, celebrating the poetic instability of forms in transition as Digital Epiphanies.
Nthawi ya Polojekiti
The project was developed over a 10-month period from January to October 2025. The research and technical implementation were conducted in Beijing, China, in affiliation with the Central Academy of Fine Arts.
Mdondomeko ya Ntchito
A participant stands before the projection. Instantly, a "Cosmic Telemetry" UI tracks their skeletal data in real-time. As they move, the system calculates their posture against a canonical Dunhuang dataset (e.g., "raised_leg_flying [0.96] Mogao Cave 285"). Upon a high-confidence match, this somatic prompt triggers the AI. The UI dissolves, and the user's silhouette morphs into a fluid, hyper-realistic celestial dancer, transforming the viewer into a co-creator of a living ritual.
Petensi
Copyrights belong to Yalin Wang, 2025. All algorithms and visual outputs are original research generated for academic and artistic purposes at CAFA.
Mwini Zithunzi
Image #1: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #2: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #3: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #4: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #5: Creator Yalin Wang, Algorithmic Flesh, 2025.
Video Credits: Creator Yalin Wang, Algorithmic Flesh, 2025.

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