Dizayini ya GGO Biomorphic Ntchito Yaikulu: Mipando ya Chipinda Cholandirira ndi Yoko Komatsu and Hajime Tokura ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Golide ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Fenicha.
GolideFenicha· 2026
GGO Biomorphic Ntchito Yaikulu: Mipando ya Chipinda Cholandirira
ndi Yoko Komatsu and Hajime Tokura
Kasitomala: Grand Green Osaka JV Group
Wopambana pa Mphoto ya Golide ya A' Design Award mu Gawo la Fenicha
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #180101Kapangidwe
Za GGO Biomorphic Ntchito Yaikulu: Mipando ya Chipinda Cholandirira
Malemba a Bukhu: Yopezeka ku Grand Green Osaka, mpando uwu wamitundu ya zamoyo wa mamita 16 wapangidwa kuchokera ku mtengo wa oak wa ku Japan. Kupanga kwapamwamba kwa digito kunagwiritsidwa ntchito pophatikiza zigawo zoposa 6,000 zosiyanasiyana kukhala magulu 29 achilengedwe. Zomangira zonse zachitsulo zabisidwa bwino ndi njira yobisika yolumikizira. Mu mpando waukadaulo waanthu uwu, luso lachikhalidwe la manja laphatikizidwa ndi kapangidwe ka pakompyuta ka parametric. Wapangidwa kuti uzigwira ntchito ngati mpando wopumira komanso choikira zomera mkati mwa chipinda cholandirira.
Chidziwitso
Za Mphoto ya Golide ya A' Design Award
GGO Biomorphic Ntchito Yaikulu: Mipando ya Chipinda Cholandirira ndi mmodzi mwa opambana a Mphoto ya Golide ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe a pamwamba, odabwitsa ndi odziwika. Opambana a Golide ndi zolengedwa zatsopano kwambiri, zoona patali ndi zonyezimira zomwe zimaonetsa luntha, nzeru ndi luso la opanga awo. GGO Biomorphic Ntchito Yaikulu: Mipando ya Chipinda Cholandirira akuyembekezeka kukhala chopangidwa chotamandidwa kwambiri, chokhazikitsa zochitika ndi chachikulu chomwe chimabweretsa phindu losawonekapo kale. Mapangidwe opambana Mphoto ya Golide ya A' Design Award awa ndi ntchito yodabwitsa, yolemekezeka yomwe imapindulitsa kwambiri ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. GGO Biomorphic Ntchito Yaikulu: Mipando ya Chipinda Cholandirira amabweretsa zilakolako zamphamvu, kudzutsa chidwi, kulimbikitsa luso lolenga ndi kutikopa.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
- Miyezo ndi Kuphimba
- Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
- Zizindikiro
- Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
- Teknoloji Yopangira
- The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
- Vuto la Dizayini
- The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
- Kafukufuku
- Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
- Chilimbikitso
- Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
- Nthawi ya Polojekiti
- The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
- Mdondomeko ya Ntchito
- Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
- Petensi
- Copyrights belong to KOKUYO Co., Ltd., 2025.
- Mamembala a Gulu
- Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao - Mwini Zithunzi
- Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
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