Wonderland Fonccion Primària: Concepcion Interiora d'un Centre d'Exposicion per Chengzhe Zhang

Lo dissènh Wonderland Fonccion Primària: Concepcion Interiora d'un Centre d'Exposicion per Chengzhe Zhang es un laureat autfo estimfo del prestigfo 2020 A' Design Award d'Argent dins la Categoria de Competfo Interior.

ArgentInterior· 2020

Wonderland Fonccion Primària: Concepcion Interiora d'un Centre d'Exposicion

per Chengzhe Zhang

Client : Shanghai Hongshida Real Estate Development Co., LTD

Laureat del A' Design Award d'Argent dins la Categoria Interior

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Lo Concèpte

A prepaus de Wonderland Fonccion Primària: Concepcion Interiora d'un Centre d'Exposicion

Wonderland es un interior de centre d'exposicion a Shanghai, en China. La concepcion s'inspira de Taoyuan Wonderland, una pintura de païsatge del pintor de la dinastia Ming Qiu Ying, e aplica de tonalitats verdas, ròsas e blancas a un espaci suau. Una paret de lausa grisa amaga primièr la vista, e la sala principala de dètz mètres de nautor se descobrís al long del camin. Lo passatge central mena cap a la zòna de conferéncia, la zòna d'exposicion e lo salon de tè. D'estatgièras de libres pausadas al sòl e d'ecrans geometrics troncats devesisson las zònas. Una installacion de veire suspenduda de mai de 5 000 petals de persègue foguèt installada a la man.

La Reconoissença

A prepaus del A' Design Award d'Argent

Wonderland Fonccion Primària: Concepcion Interiora d'un Centre d'Exposicion a ganhat la distincion A' Design Award d'Argent, una reconeissença extraordinàriament prestigiosa acordada a de designs d'ort de gamma, esplendids e impressionants. Los ganhaires de l'Argent son d'òbras terriblament brilhantas e extrèmament creativas que illustran l'experiéncia, lo talent e la finessa excepcionals de lors designers. S'espèra que Wonderland Fonccion Primària: Concepcion Interiora d'un Centre d'Exposicion siá una òbra meravilhosa e de referéncia, notablament professionala e prigondament innovanta. Aqueste design ganhaire de la distincion A' Design Award d'Argent es una invencion fòrça notabla e admirada, que fa un ben e fa avançar las frontièras de l'art, de la sciéncia, del design e de la tecnologia. Wonderland Fonccion Primària: Concepcion Interiora d'un Centre d'Exposicion es una creacion immensament envejada que desrevelha de desirs, aduch de sentiments positius e fa néisser l'estonament e l'esmaiment.

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Kit de premsa

Crèdits, membres de l'equipa e detalhs tecnics fornits pel designer.

Proprietats Unicas: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensions e Embalatge: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Etiquetas: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Tecnologia de Produccion: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Desaffo de Dissènh: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Recèrca: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspiracion: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Durada del Projècte: The Project started in January 2018 in Shanghai China
Flux Operacional: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Membres de l'Equipa: Mingxin Lu
Yunhui Tang
Crèdits d'Imatges: Main Image: Photographer Hai Zhu, 2018