Kai Ling Huang nisqap Light Field Wasi Ukhu Kamayninpa Diseñonin diseñon

Kai Ling Huang nisqap Light Field Wasi Ukhu Kamayninpa Diseñonin diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2021 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruUkupi· 2021

Light Field Wasi Ukhu Kamayninpa Diseñonin

Kai Ling Huang rurasqa

Mañakuq: Warm Interior Design

Ukupi T'aqapi A' Design Award Fierru Premiu Atipaq

7,229

Taripasqa Premio Atipaq

#112247 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Light Field Wasi Ukhu Kamayninpa Diseñonin nisqamanta

Light Field nisqaqa huk 60 wata wasi ukhu kamaynin diseñonmi, Kaohsiung, Taiwan llaqtapi kaq wasipaq. Iskay pisoyoq wasi, huk mezzanine-yoq, 115.7 metro cuadrado hinata hapin. Ñawpaq ruwasqa sayarichiyqa waqaychasqam, ichaqa thanisqa uyaykunataq surqusqam kanku, pirqakunataq acero fierrowan hinaspa concreto qhawarisqa post-wan sinchichasqam kanku. Wichqasqa pirqakunaqa kicharisqam kanku, chayhina inti k'anchaywan hinaspa sami wayrawan wasi ukhukunaman haykunanpaq. Yana llimphiyoq patasqa (staircase) pisokunata huñunmi, hinaspa main sayaq t'inkiyta ruwan. Materialninkunapas kanmi: hexagonal ladrillo, qespi (vidrio), k'aspi rikch'aq ladrillo, mayllasqa rumichakuna, hinaspa sinchi k'aspi patakuna.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Light Field Wasi Ukhu Kamayninpa Diseñonin A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Light Field Wasi Ukhu Kamayninpa Diseñonin sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Light Field Wasi Ukhu Kamayninpa Diseñonin yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The stairs are lined with black backing and neat lines, supplemented by strong contrast and unique lighting to highlight the mainline that goes through the two floors and the mezzanine. Along the vertical axis, the staircase serves as an important medium, connecting the relationship between the various fields, allowing space and space to consistent with each other harmoniously. In addition, the designers adopt a step-by-step narrative technique to present different scenes with the tortuous paths and changes in the light and shadow.
Tupukuna & P'istuy: The floor area is 115.703 square meters, which is a two-story building with a mezzanine. The building retains the original structural body but removes the mottled and obsolete surface. After delicately determining the functionality of the wall, it is reinforced with steel structure and post-made clear water molding methods to enhance the overall safety and waterproofness. In addition, the facade is stacked with layers of concrete, close lightly pebble, and protective paint to achieve the effects of temperature resistance, dirt resistance, and beauty.
Etiquetakuna: Renovation, nature, eco-friendly, townhouse, minimalism
Ruway Tecnología: The material used: Post-made clear water mold, board with holes, hexagonal tile, glass, wood grain brick, Lotos, close lightly pebble, and solid wood step. Close lightly pebble is an architectural material often used in early Taiwan. It has a warm and rustic taste in the hometown, which is a common memory of Taiwanese in the 1950s and 1970s. In view of this, the team reuses the materials full of contemporary sense. With the characteristics of openness and tolerance of architecture, it combines contemporary and tradition.
Diseño Sasachakuy: It is a 60-year-old residence. The unique long and narrow street house reflects the prosperity of the local port town. The team accurately grasps the proportion and balance between the old and the new, being the most difficult consideration in this project. With the idea of reusing old buildings, the team keeps the original structure of the building, and they use the most concise repair method to truly present the texture that has been tempered by years, and they are committed to continuing the life and temperature of the old residence.
T'aqwiy: Retain the original structure and give the old residence a new appearance with a simple and unburdened approach. The customized holes and plants are adopted in the white building with geometric volume, creating a distinctive and novel vision. The team adopts two different elements of the floor in the front courtyard to narrate the image of the entrance. The interior is pure and elegant with low color saturation, matched with warm wooden style, framed a quiet and leisurely space tone, and supplemented by the rich texture and texture of different materials to create a stress-relief environment rich in aesthetics.
Kallpachay: The team retains the original structure and living pattern of the building, and they restore the essence and status of the space through the simplest construction methods and designs. With the inherently excellent lighting conditions, the team opens the closed barriers and adopts penetrating media to bring in an abundance of sunlight and natural wind, creating a breathing house from the interior to the exterior, while at the same time; the layout, distance, colors, and contours are maintained at the most comfortable ratio, allowing residents to relax and savor the beauty of life at home.
Llamk'ay Pacha: The project finished in June 2020 in Lingya District, Kaohsiung City, Taiwan.
Purichiy Puriy: The team uses a dichotomy method to create invisible divisions in the planning of the forecourt floor. Through the difference between the post-made architectural concrete and the hexagonal tiles, the designers create the image of going back home in the entrance, so the clients can be relaxed. Taking into account the needs of the clients for storage, the dining area located under the ladder extends along with the structure with multiple storage functions such as hanging wardrobes, small storage rooms, and trapezoidal display cabinets.
Huñu Runakuna: Kai-Ling Huang, Wei-Chen Chao
Siq'i Hayñikuna: CHIU CHUANG HSI