John Whelan - GSL nisqap Maison Francois Mikhuna Wasi diseñon

John Whelan - GSL nisqap Maison Francois Mikhuna Wasi diseñonqa Wasi Chaskiy Kamay Atipanakuy T'aqapi 2021 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiWasi Chaskiy· 2021

Maison Francois Mikhuna Wasi

John Whelan - GSL rurasqa

Mañakuq: The Guild of Saint Luke

Wasi Chaskiy T'aqapi A' Design Award Qullqi Premiu Atipaq

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Taripasqa Premio Atipaq

#123843 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Maison Francois Mikhuna Wasi nisqamanta

Maison Francois nisqaqa 500 kuadrado metroyuq mikhuna wasim, ch'usaq concreto qarapi ruwasqa. Techonpi coffered nisqaqa phonico materialmantam ruwasqa, faux cemento hina llimphisqa, llusq'a concreto pampawan tupananpaq. K'iwisqa walnut bancokunaqa privacidad qespimanta hawanniyuq, cream lino p'achawan p'istusqam, chaymanta pampamanta techokama cream lino cortinakunaqa terracota estuco muyuykunata chaymanta espejo arcokunatam tupachin. Chakanaqa walnut chaymanta caoba k'aspimantam, patinasqa bronce chaymanta níquel metalwan. Chawpi isla pasoqa cuartopi qawana chawpim, chaymanta cocinata mikhuna kanchawan huñun.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Maison Francois Mikhuna Wasi A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Maison Francois Mikhuna Wasi ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Maison Francois Mikhuna Wasi achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Initially, the concrete shell was taken as the starting point, creating a Brutalist ceiling coffering and laying down a polished concrete floor. Once the framework was established, ensuing elements were designed to create that elusive warmth and intimacy. Curved walnut banquettes with privacy glass uppers are upholstered in a resistant cream linen that are tactile and inviting. They correspond with floor-to-ceiling cream linen curtains that offset the grandeur of the imposing terracotta stucco and mirror arches.
Tupukuna & P'istuy: 500 square metres floor space
Etiquetakuna: Restaurant, Brasserie, London
Ruway Tecnología: The coffered ceiling was realised in phonic material and painted in faux-cement to match the polished concrete floor. Joinery is in walnut and mahogany, with patinated brass and nickel metalwork. Upholstery and drapery is in cream linen.
Diseño Sasachakuy: The main challenge was the space that was inherited from the landlord. A far cry from the warm and welcoming environment desired by the client, it was a cavernous concrete shell with no discernible features of interest. The façade offered little more by way of inspiration, being part of a somewhat generic new build. It was therefore necessary to think carefully about how the large volume could be animated, and how to create visibility from the street.
T'aqwiy: Much of the research that went into this project had been conducted over several years, working on restoring and re-designing historic brasseries in France. Everything that was learned by the studio during this period was applied to the project, but this knowledge was infused with more contemporary reference points such as Postmodernism and Brutalism in order to evolve the genre.
Kallpachay: Rather than taking the more tried and tested route of looking to the Art Deco period for inspiration, the design looked at successful residential conversions of Brutalist spaces, such as Ricardo Bofill’s, La Fabrica. What interested the team was how the designers managed to create a sense of intimacy and warmth despite their imposing concrete surrounds. The solution was to find the right dosage of these ideas, within a more traditional brasserie framework.
Llamk'ay Pacha: The project started in September 2019 and opened in September 2020
Purichiy Puriy: Bringing the kitchen into direct conversation with the room was key to creating a vibrant atmosphere, and so the central island pass became the focal point of the room. It sits underneath a monumental Rado inspired clock flanked by a lambs-tongue mahogany and bevelled mirror canopy that recalls the windows of the Ismaili Centre. Metals range from patinated nickel to burnished brass, all heavy on texture and designed to warm up the space.
Huñu Runakuna: Designer: John Whelan for The Guild of Saint Luke
Siq'i Hayñikuna: Photography by Oskar Proctor