Suyu Chen nisqap Orbit A Collection Q'illay Away Huñu diseñon

Suyu Chen nisqap Orbit A Collection Q'illay Away Huñu diseñonqa Walka Kamay Atipanakuy T'aqapi 2022 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruWalka· 2022

Orbit A Collection Q'illay Away Huñu

Suyu Chen rurasqa

Mañakuq: Suyu Chen

Walka T'aqapi A' Design Award Fierru Premiu Atipaq

15,518

Taripasqa Premio Atipaq

#131168 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Orbit A Collection Q'illay Away Huñu nisqamanta

Orbit A Huñu nisqaqa maki ruwasqa q'illaykunam, huk pecho-away-ta ("brooch") ima iskay kunka-awaykunatapas ("necklaces") tarikun. Sapa ruwasqaqa hukllawan, mana iskay kaqllatachu, plata qullqiwan (sterling silver) plastiku tubukunata, resina t'uruta, tullpayta ima tinkuchin. Kaqlla plastiku rakiqa askha kutista wakichisqa, huk simple ruway hina, hinaspa askha kaq churakuqta hinaspa lluqsichisqa allpa rikch'aykunata paqarichinankupaq. Ñawpa kaq qillayta llamk'ana yachaykunan, hina chapunapas, ruwaypas, cadena away ima, plastiku tinkuchiywan, k'akuchiywan, tullpaywan huñusqa apaykachakun. Kay huñuqa ñawpa kaq maki-ruway ima kunan pacha askha ruwaykuna ("mass production") ukhupi kaq ñawinta rikuchin.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Orbit A Collection Q'illay Away Huñu A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Orbit A Collection Q'illay Away Huñu sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Orbit A Collection Q'illay Away Huñu yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Tupukuna & P'istuy: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Etiquetakuna: jewelry, necklace, brooch, craft, mixed material, art jewelry
Ruway Tecnología: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Diseño Sasachakuy: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
T'aqwiy: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Kallpachay: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Llamk'ay Pacha: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Purichiy Puriy: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Huñu Runakuna: Suyu Chen
Siq'i Hayñikuna: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020