Ye Feng nisqap Weaving Away P'acha Wayt'una diseñon

Ye Feng nisqap Weaving Away P'acha Wayt'una diseñonqa Awana Kamay Atipanakuy T'aqapi 2023 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruAwana· 2023

Weaving Away P'acha Wayt'una

Ye Feng rurasqa

Mañakuq: Communicate University of Zhejiang

Awana T'aqapi A' Design Award Fierru Premiu Atipaq

39,730

Taripasqa Premio Atipaq

#146769 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Weaving Away P'acha Wayt'una nisqamanta

Awasqa nisqaqa huk kuyuriq away p'acha wayt'una, chaywanmi apaqqa hukmanyachiyta atin. Kay tawa k'uchuyuq p'acha wayt'unaqa 1000 chunka pachak milimetrosniyuq, tawa chunka pachak milimetrosniyuqwan tinkusqa. Iskay wataqkunam p'acha wayt'unap ukhunta pasan, orqo-away hina churasqa, Chinasuyu ñawpaq awasqa yachaymanta hurqusqa. Tawa laduman wataqkunata aysaspa, apaqqa dibujota hukmanyachin, hasta 16 tupu rikch'aykunata ruwayta atinku. Kay yuyaywanqa away p'acha wayt'unaqa pallqa pampamanta kimsa hik'inayuq rikch'ayman rin. Digital churana llimp'iykunawan dibujokuna ruwasqa kanku, tukuy hukmanyachiykunapipas kaqllan sayasqa qhipakunku.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Weaving Away P'acha Wayt'una A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Weaving Away P'acha Wayt'una sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Weaving Away P'acha Wayt'una yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: WEAVING break the shackles of the traditional two-dimensional space, making silk scarfs three-dimensional. By creating a warp and weft weave, the two tapes are crossed across the body of the scarf, giving it a new form of expression. In the process of using it, users can change the pattern of the silk scarf by twitching the drawstring, forming up to 16 different visual effects of arrangement and combination. This not only allows users to experience a new way of using silk scarves, but also makes them less likely to get tired of a "fixed" silk scarf.
Tupukuna & P'istuy: 1000mm *1000mm
Etiquetakuna: Chinese-style techniques, Traditional culture, Innovation experience, Silk scarf, Interactive textile products
Ruway Tecnología: Digital printing is printing with digital technology. Digital printing technology is a high-tech product that integrates mechanical and computer electronic information technology with the continuous development of computer technology. With the increasingly diversified needs of customers, the traditional grey cloth printing has gradually developed from mass production to small batch and multi-variety personalization. The digital printing scarf not only has high quality and good output effect, but also can meet the needs of customers for small batch and personalized printing. Digital printing technology meets the increasingly diversified market demand with its advantages of high efficiency, low cost, good printing effect and less pollution, which brings an unprecedented development opportunity for textile printing and dyeing.
Diseño Sasachakuy: In this design process, the biggest adjustment is to make the warp and weft weaving method through structural exposure, so that users can immerse into the experience, and at the same time the problem relating to pattern cohesion will be solved.
T'aqwiy: Through researching traditional craftsmanship and traditional culture, a large amount of documentary material is compiled to select appropriate innovative methods for silk scarves and modernize their expression by using Chinese-style techniques in order to complete the design practice. Meanwhile, appropriate pattern contents are selected to form a seamless integration under various combinations. In this way, the user's attention to traditional craftsmanship and traditional culture is ignited and innovative development of silk scarf products is formed.
Kallpachay: In the 20th century, women fully exercised their wisdom in using silk scarves. It became a great companion in their social lives and workplace. The real formation of the modern silk scarf was in the 1920s, when the traditional use of long shawls and headscarves was gradually out of fashion, and the techniques of folding and knotting of neck scarves were slowly paid attention to. 100 years have passed, though the silk scarf has been a very important component in the fashion industry, design innovation seems to be forgotten except for merely patterns.
China is the largest silk producer with a history of more than a thousand years. The craft of silk production has spread widely, evolving a variety of delicately intangible cultural heritage skills, of which the core is about the different interpretations of the warp and weft weaving method. The wisdom of the warp and weft weaving method should be able to be presented in the form and usage of silk scarf products, providing consumers with a brand new silk scarf product in the late 100 years, and it allows traditional Chinese culture to breathe a new life and shows vitality into silk scarf products.
Further, it is observed that another traditional wisdom in the world (Huarongdao Klotski) presents different permutations and combinations by moving the slider, which is conducive to solving the drawback brought by static graphics as it will lead to aesthetic fatigue.
Under the situation that silk scarf has fallen into innovation stagnation, the original purpose and inspiration of this design is to promote the innovative development of silk scarf, rekindle users' interest and concern for silk scarf products in the context of digital economy, and also to better let users experience the traditional wisdom and culture, bringing greater value to silk scarf products.
Llamk'ay Pacha: The project started in April 2021 in Tongxiang,CHINA and finished in December 2022 in Tongxiang,CHINA
Purichiy Puriy: 1 Unfold the silk scarf
2 Draw the tapes in any of the four directions based upon preferences to form different arrangements
3 Pick your favorite combination of arrangements and put on
4 Have a bright mood, bingo!
Huñu Runakuna: YE Feng
Siq'i Hayñikuna: Image #1: Photographer ZHANG Zhaoguo, 2022
Image #2: Photographer ZHANG Zhaoguo, 2022
Image #3: Photographer ZHANG Zhaoguo, 2022
Image #4: Photographer ZHANG Zhaoguo, 2022
Image #5: Photographer ZHANG Zhaoguo, 2022