Zhijun Zhong nisqap Bluetown Wuxi Guixiangli Rantina Wasip Ukhun Allichay diseñon

Zhijun Zhong nisqap Bluetown Wuxi Guixiangli Rantina Wasip Ukhun Allichay diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2024 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiUkupi· 2024

Bluetown Wuxi Guixiangli Rantina Wasip Ukhun Allichay

Zhijun Zhong rurasqa

Mañakuq: Herabenna

Ukupi T'aqapi A' Design Award Qullqi Premiu Atipaq

29,497

Taripasqa Premio Atipaq

#161332 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Bluetown Wuxi Guixiangli Rantina Wasip Ukhun Allichay nisqamanta

Bluetown Wuxi Guixiangli nisqaqa 400 metro cuadrado kaq rantina wasip ukhunmi, Wuxi llaqtapi, Jiangsu suyupi, China hatun suyupi, 2023 watapi diciembre killapi tukusqa karqan. Kay allichayqa Song ayllu kamachiqkunap sumaq kawsayninta kunan pacha hina rikuchin. Kurkumi aswan hatun llamk'ana kaq, rumikunawan yapasqa, chaymi natural hinaspa q'oñi kawsayta ruwan. Kay ukhu pachaqa rakisqa kachkan huk yaykuna, purina ñankuna, huk chaskina hatun wasi, huk hatun suyana wasi, huk upyana kuchupas. Rikch'akuq kurkukuna hinaspa marcokunam hanaq pampata ruwanku, chaypim inti k'anchay hinaspa k'anchachina sistemapas ukhu kayta yapanku. Huch'uy muya rikch'aykunam hinaspa kurku awasqa rejillakunam chay llaqtap kawsayninta yuyachinku.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Bluetown Wuxi Guixiangli Rantina Wasip Ukhun Allichay A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Bluetown Wuxi Guixiangli Rantina Wasip Ukhun Allichay ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Bluetown Wuxi Guixiangli Rantina Wasip Ukhun Allichay achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The project is located in Wuxi, Jiangsu Province, where the roots of Song dynasty aesthetics run deep for a millennium, ingrained in its culture. Through the passage of time, historical context has infused the city's essence, imbuing it with a spiritual depth. The design draws inspiration from the past to innovate for the present, interpreting the elegance of Song dynasty aesthetics and embracing a contemporary urban slow living lifestyle.
Tupukuna & P'istuy: 400 square meters
Etiquetakuna: Song dynasty aesthetics, frame structure, exposed structure, mortise and tenon structure, light and shadow order
Ruway Tecnología: The design incorporates contemporary aesthetics, applying Song dynasty aesthetics to the space. The main space draws inspiration from Song dynasty architectural aesthetics, dissecting traditional architecture to innovate a contemporary Chinese style. By intertwining and overlapping components, it showcases traditional architectural textures while embracing simplicity, reflecting the Song dynasty's minimalist philosophy.

The structure of the exhibition center is enclosed by curtain walls and steel frames, integrating traditional wood structures into the layout. The space is divided into entrance, corridors, reception hall, lobby, and bar areas, with a layout that builds up gradually, creating interconnected yet distinct contemporary social spaces. Wood is the primary material, complemented by stone accents, enhancing the space with a natural and warm atmosphere.
Diseño Sasachakuy: The "exposed structure" design is the highlight of the interior space in this project. In Song dynasty architecture, "exposed structure" refers to the ceiling's natural state. It involves leaving the interior structure completely exposed, beautifying the beams and columns themselves to create a unique order and logic. By downplaying heavy ornamentation, the design presents the architectural beauty through minimalist connection logic. The exposed beams and frames intersect and layer to create a dynamic rhythm and order. As sunlight penetrates through the ceiling, interacting with light and shadow, it enhances the depth and layering of the structure. With the assistance of a lighting system, it creates a three-dimensional and transparent spatial sensation, making the entire ceiling the focal point of the space, inviting exploration.
T'aqwiy: A millennium ago, the Song dynasty provided the perfect model for understanding life: banquets, tea gatherings, hanging paintings—slowly and gracefully living life to its fullest. However, with the rapid pace of contemporary urbanization, we have forgotten the essence of life, losing touch with the time and space to truly experience life. In this project, the designers aim to incorporate elements of Song dynasty aesthetics into the space, blending them with contemporary aesthetic values. Through the charm of the Song dynasty, they seek to convey the concept of returning to a more refined and leisurely lifestyle, encouraging us to savor and enjoy the present moment.
Kallpachay: The enduring artwork of the Song dynasty, such as "Along the River During the Qingming Festival" and "Elegant Gathering in the Western Garden," vividly portray the refined world of that era. From paintings to architecture and poetry, the Song dynasty excelled in aesthetics and artistic appreciation. Described as a pinnacle in Chinese history, the elegance of the Song dynasty is enduring, with Wuxi's cultural heritage preserving its essence for over a millennium.
Llamk'ay Pacha: The project is located in the northwest intersection of Heng 2 Road and Zong 2 Road, Huishan District, Wuxi City, Jiangsu Province, China. It was completed in December 2023.
Purichiy Puriy: The entrance corridor serves as a transition space, designed for passage and experiencing the surroundings. The facade features large suspended blocks as partitions, with miniature scenes of Jiangnan gardens at the bottom, creating a sense of vitality amidst rocky landscapes and lush greenery. Wooden lattice grids are asymmetrically placed with concealed backlighting, softening the light and intertwining contemporary materials with cut facades to evoke an ethereal Eastern Zen atmosphere. The use of frame structures on one side breaks the physical boundaries of the building, allowing indoor and outdoor scenery to blend, evoking a sense of Zen tranquility. The choice of spiral "flower clusters" lighting fixtures within the frames draws inspiration from osmanthus petals, embedding a memory of the city's culture.

In the central hall area, contemporary design techniques separate the mortise and tenon structure from the building, incorporating the philosophy of "wuwei" to break traditional constraints and explore new possibilities in form, material, function, and concept. Embedded garden scenes with rough textures of sand and stones integrate Eastern Zen elements, while wood serves as the primary material base, complementing the stone and allowing natural light to filter through the ceiling, creating a serene and minimalist atmosphere.
Huñu Runakuna: Zhijun Zhong