Yuko Suzuki nisqap Changes Cycles and Shapes Arte Digital diseñon

Yuko Suzuki nisqap Changes Cycles and Shapes Arte Digital diseñonqa Paqariq Kamay Atipanakuy T'aqapi 2025 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.

QuriPaqariq· 2025

Changes Cycles and Shapes Arte Digital

Yuko Suzuki rurasqa

Mañakuq: Feral File

Paqariq T'aqapi A' Design Award Quri Premiu Atipaq

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Taripasqa Premio Atipaq

#170864 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Changes Cycles and Shapes Arte Digital nisqamanta

Kay llankayqa tapukunmi: ¿Imataq siq'iy? nispa, rikuypaq rikuchiykunapa muyuyninkunata qawachispa. Mondrian nisqapa siq'iyninkunapi tikraykunamanta yuyaychasqa, siq'iypa ruwayninkunapa rikuchiyninpi sayarin, maypichus rikch'ayqa purin figurativo nisqawan abstracto nisqawan, chaynallataq ch'aqway nisqawan siq'i kay nisqawan - chay yuyaytam llimp'imanpas churan. Llankayqa rikuchin materialidad digital nisqapa tikrakuyninkunata, aswanta qawachispa tikraykunapa chawpinpi kaq rikch'aykunam esencian kanku. Baren nisqawan impriminasqa texturakunata churaspa, artistapa imprenta llankaq kayninta forma digitalpi qawachin.

Riqsichiy

A' Design Award Quri Premiu nisqamanta

Changes Cycles and Shapes Arte Digital A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Changes Cycles and Shapes Arte Digital ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Changes Cycles and Shapes Arte Digital munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Tupukuna & P'istuy: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Etiquetakuna: Generative Art, Coding
Ruway Tecnología: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Diseño Sasachakuy: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
T'aqwiy: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Kallpachay: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Llamk'ay Pacha: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Purichiy Puriy: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Siq'i Hayñikuna: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.