Hong Jia Min nisqap Guanshan Marka Kikinchana diseñon

Hong Jia Min nisqap Guanshan Marka Kikinchana diseñonqa Shuyu Kamay Atipanakuy T'aqapi 2025 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruShuyu· 2025

Guanshan Marka Kikinchana

Hong Jia Min rurasqa

Mañakuq: Jijia Brand Creative Studio

Shuyu T'aqapi A' Design Award Fierru Premiu Atipaq

2,022

Taripasqa Premio Atipaq

#172951 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Guanshan Marka Kikinchana nisqamanta

Guanshan nisqaqa huk t'anta ñuñu-t'iku (leche té) qhatunapaq marka kikinchana ruwasqa kanku. Kay diseñoqa Chinapa qillqasqankunata sayarichinapaq churan, ñawpa "clerical script" nisqa qillqay ruwayta musuqchaspa, ichaqa ñawpa kawsayninta hina waqaychaspa. Inti Lloqsimuy (Este) suyupa kawsaynin sumaqkaymanta paqarichisqa, kay kikinchanaqa tinta-mayu abanikokunapa hina t'ikrayninta hinaspa té ruwana q'ipikunapa rikch'ayninta huk kaqllaman tantan. Chawpi rikch'ayninpiqa huk abaniko huk té p'ukurantinwan pillpintusqa hina churasqa kashan, iskay sut'inchaywan. Tinta pinsilwan llamk'asqa siq'ikunaqa ñawpa muyu abanikopa wayaqa (bambú) marcotan yuyaychan, p'ukupa rikch'aynintaq Jianzhan sutiyuq té p'ukukunamanta hap'in.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Guanshan Marka Kikinchana A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Guanshan Marka Kikinchana sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Guanshan Marka Kikinchana yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Tupukuna & P'istuy: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Etiquetakuna: Oriental, Creativity, Tea , Ink Painting, Chinese
Ruway Tecnología: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Diseño Sasachakuy: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
T'aqwiy: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Kallpachay: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Llamk'ay Pacha: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Purichiy Puriy: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patentekuna: Copyrights belong to Hong Jia Min, 2024.
Huñu Runakuna: Hong Jia Min
Siq'i Hayñikuna: Hong Jia Min