Samiqman pasay
Shuhei Matsuyama nisqap Transition Rikuchiy Ruray Diseño diseñon

Shuhei Matsuyama nisqap Transition Rikuchiy Ruray Diseño diseñonqa Rantiy Rikuchina Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.


QullqiRantiy Rikuchina· 2026

Transition Rikuchiy Ruray Diseño

Shuhei Matsuyama rurasqa

Mañakuq: enigma Inc.

Rantiy Rikuchina T'aqapi A' Design Award Qullqi Premiu Atipaq

17,595

Llinphikuna

Diseñomanta

Transition Rikuchiy Ruray Diseño nisqamanta

Transition nisqa huk t'ika rikuchiymi, ikebana nisqata, Japón llaqtapa t'ika churay yachayninta, kunan pacha kaqlla wasipi rikuchin. Kicharisqa churaynin mana qhipa perqayuqchu, chaymi watukuqkuna qispilla purinku, sapa t'ika churasqata achka ladomanta qhawanku, mana ñawpaqmantallachu. Intipa kanchayninwan hina kutichikuq k'anchaykunapas p'unchayninpi tikrakunku, chaymi wasi hinallataq kawsaq t'ikakunapas mana sayaspa hukman tikrakunku. Modular sayachinakunaqa kutin llamk'achina resinamanta kimsa ladopi imprimisqa kanku, t'aqarikuspa hukmanta llamk'achikunkupas. Pampachasqa, mana hark'ayniyuq pampaqa rikuchiyta llapa watukuqkunapaq kicharisqata waqaychan.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Transition Rikuchiy Ruray Diseño A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Transition Rikuchiy Ruray Diseño ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Transition Rikuchiy Ruray Diseño achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta
An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
Tupukuna & P'istuy
Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.
Etiquetakuna
Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
Ruway Tecnología
The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
Diseño Sasachakuy
Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
T'aqwiy
In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
Kallpachay
Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
Llamk'ay Pacha
The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
Purichiy Puriy
Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
Patentekuna
Copyrights belong to Ikenobo Society of Floral Art, 2025.
Huñu Runakuna
Creative Director / Art Director / Planner: Shuhei Matsuyama
Technical Director / Engineer: Koki Kaminoura
Project Director: Kenji Suina
Spatial Design Director: Kazuhiro Itagaki
Designer (130): Daina Kato
Engineer (130): Kenta Iguchi
Promotion Director: Satomi Tamai
Research Director: Tsubasa Kuri
Researcher: Tomoya Shimojo
Promotion Planner: Mako Fujimoto
Siq'i Hayñikuna
Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.

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