Yutao Chen and Yiwen Gu nisqap Climbing Amphitheatre Pisi Pacha Aranwa Wasi diseñon

Yutao Chen and Yiwen Gu nisqap Climbing Amphitheatre Pisi Pacha Aranwa Wasi diseñonqa Raymi Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiRaymi· 2026

Climbing Amphitheatre Pisi Pacha Aranwa Wasi

Yutao Chen and Yiwen Gu rurasqa

Mañakuq: Studio WE

Raymi T'aqapi A' Design Award Burunsi Premiu Atipaq

13,484

Taripasqa Premio Atipaq

#176296 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Climbing Amphitheatre Pisi Pacha Aranwa Wasi nisqamanta

"Wachuta Wichariy, Raymi Anfiteatro" Aiyuan llaqtapi, Jiangsupi, ñawpa chakra wachuta musuqmanta riqsichin huñu llaqta yanapakuypa hinaspa kawsay katiqipa unanchanta hina. K'ullu marqakunamanta, wachukunamanta, hinaspa mat'i watukunamanta huñusqa sistemawan, llaqtaruna kallpawan pisi pacha aranwa wasita huñunku hinaspa thapnirinku. Aranwakunapaq, killpukunapaq, hinaspa huñunakuykunapaq kuyuq, yanapakuq pampa hina, runamasi tinkuyta sumaqyachin, frutalkunata kawsachimun, hinaspa chakra pampawan sumaqta huñunakun.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Climbing Amphitheatre Pisi Pacha Aranwa Wasi A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Climbing Amphitheatre Pisi Pacha Aranwa Wasi sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Climbing Amphitheatre Pisi Pacha Aranwa Wasi mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Climbing the Ladder, Party Amphitheatre is a modular, community-assembled temporary theater made of timber frames, ladders, and tension straps. Designed for assembly by local villagers, it fosters participation as both audience and builders. The adaptable structure hosts performances and screenings, revitalizing the orchard into a social hub. This project merges architecture with rural life, turning tools into a spatial framework that strengthens community bonds.
Tupukuna & P'istuy: The modular amphitheatre consists of timber frame units measuring 2,400 mm x 1,200 mm x 2,500 mm. Ladders function as adjustable seating risers ranging from 500 mm to 1,500 mm in height, enabling flexible audience arrangements. Fully assembled, the structure spans up to 12 m x 8 m x 4 m and adapts easily to uneven orchard terrain.
Etiquetakuna: Community Architecture, Modular Design, Participatory Design, Rural Innovation, Timber Structure, Mobile Amphitheatre, Cultural Heritage, Interactive Space, Adaptive Reuse, Festival Pavilion
Ruway Tecnología: The structure employs a modular timber frame system combined with locally sourced ladders and tension straps, enabling rapid assembly and disassembly without heavy machinery. Structural stability is achieved through interlocking joints and adjustable tensioning, while the modular system allows scalability and adaptation to orchard topography. Timber surfaces are treated for durability, ensuring both functional performance and visual harmony with the rural landscape.
Diseño Sasachakuy: This design explores how participatory architecture can activate rural spaces and strengthen social cohesion through simple, adaptable systems. By transforming ladders - an everyday rural object - into a spatial and cultural framework, the project demonstrates how design can elevate ordinary tools into platforms for interaction, performance, and collective experience. The amphitheatre reveals the potential of low-tech, community-driven construction to create meaningful public spaces that are flexible, inclusive, and deeply connected to local culture.
T'aqwiy: This field research investigated the integration of vernacular farming tools into participatory rural architecture. The objective was to create a low-cost, modular theater system. Using qualitative observation and structural prototyping, the study engaged local villagers as active participants in the assembly process. Results showed that utilizing familiar ladders as core components reduced construction barriers and costs. This research impacts rural social cohesion by proving that community-driven, low-tech frameworks can successfully revitalize orchard landscapes into interactive cultural venues.
Kallpachay: Rooted in the centuries-old pear orchards of Aiyuan Town, Jiangsu, this project draws inspiration from the everyday ladder. Reimagined as a collective architectural element, the ladder, traditionally used for farming and labor, becomes a symbol of gathering and shared memory. By transforming this familiar object into a modular spatial system, the design celebrates local traditions while creating a contemporary platform for performance and communal life within the orchard landscape.
Llamk'ay Pacha: The project was developed and constructed between March and September 2024 in Aiyuan Town, Jiangsu, China. Installed within the town's pear orchards, the amphitheatre was activated during seasonal festivals and community gatherings, reinforcing local participation and cultural engagement.
Purichiy Puriy: The amphitheatre is assembled collaboratively by villagers through a simple system of interlocking timber frames, ladders, and straps. Audiences move freely between levels, sit on ladders or platforms, and engage with performances from multiple perspectives. The open, reconfigurable layout encourages informal interaction, flexibility, and immersion, allowing the space to adapt to different events while fostering a shared sense of ownership and participation.
Huñu Runakuna: Yutao Chen and Yiwen Gu
Siq'i Hayñikuna: Yutao Chen