Juan David Martínez nisqap Plastic Box Hatun Qhatu diseñon

Juan David Martínez nisqap Plastic Box Hatun Qhatu diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiUkupi· 2026

Plastic Box Hatun Qhatu

Juan David Martínez rurasqa

Mañakuq: Minimal Studio Projects SL

Ukupi T'aqapi A' Design Award Qullqi Premiu Atipaq

16,230

Taripasqa Premio Atipaq

#179873 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Plastic Box Hatun Qhatu nisqamanta

Kay ruwayqa minimalista brutalismo nisqap rikch'aynin. Kay pachaqa qhatuna ruwayta musuqyachin sinchi sumaq rikch'aywan, musuq allin llamk'ayninwantaq. Concreto qaracha hina, chiqan siq'ikunawan geometriya volumenkunawan ruwasqa, kallpata wiñay kayta ima rikuchin. Astawan reqsisqa kaqninqa techo nisqam, waranqamanta aswan recicladokuna plastico cajakunamanta ruwasqa, modular nisqapi, allinta tupachisqa kasqankunawan churasqa.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Plastic Box Hatun Qhatu A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Plastic Box Hatun Qhatu ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Plastic Box Hatun Qhatu achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Plastic Box is a minimalist brutalist project that transforms the shopping experience through a bold aesthetic and innovative functionality. Conceived as a concrete envelope with clean lines, it conveys strength and permanence. Its key element is a ceiling made of more than a thousand recycled plastic crates that filter light and integrate lighting, ventilation, and rainwater systems. Inside, steel and concrete reinforce a sober commercial language that redefines materials and their uses.
Tupukuna & P'istuy: The lighting was conceived in an indirect and highly controlled manner. Light passes through and reflects off the system of 1,200 reused plastic crates in the ceiling, creating diffuse illumination that eliminates the typical glare found in supermarkets. In this way, light does not merely illuminate the space; it builds atmosphere and reinforces its scenographic character, creating a connection between the space and the shadows it generates.
Etiquetakuna: supermarket, Plastic Box, plastic, brutalism
Ruway Tecnología: The project is defined by a reduced and honest material palette: concrete, steel, and reused plastic. Concrete provides brutality and neutrality; steel resolves the furniture with industrial precision; and plastic, usually hidden, becomes the architectural protagonist through the reuse of more than 1,200 crates. The ceiling was the greatest technical challenge, developed without precedents at this scale and requiring extensive prototyping, testing, and on site adjustments to assemble more than 1,200 reused elements with absolute precision.
Diseño Sasachakuy: The main objective was to transform an everyday, functional space into an architectural experience. The client required a fully operational and efficient supermarket with clear circulation, while also seeking a space with its own identity recognizable and memorable. The program was simple: a sales area, storage, fluid circulation, and a powerful image that breaks with convention.
T'aqwiy: The space was already operating as a supermarket, but it was in a completely neutral state, lacking architectural character, with standard solutions and a flat spatial reading. It was a generic container with no spatial value, which allowed us to intervene with complete freedom, starting from an almost blank slate.
Kallpachay: The project is inspired by the idea of turning a space of consumption into an almost ritual, artistic experience. A brutalist and reduced language is used, where a single gesture defines the entire identity. This concept takes shape in the ceiling, made from over 1200 reused plastic crates, creating a recognizable and hypnotic atmosphere. The space becomes a box within a box, where function and symbolism coexist.
Llamk'ay Pacha: Completed in 2024 in Port d Alcúdia, Mallorca.
Huñu Runakuna: Joan David Martínez Jofre
Siq'i Hayñikuna: Fotógrafo / Leonardo Cóndor