Yoko Komatsu and Hajime Tokura nisqap GGO Biomorphic Ñawpaq Ruray: Chaskiy Wasi Tiyana diseñon

Yoko Komatsu and Hajime Tokura nisqap GGO Biomorphic Ñawpaq Ruray: Chaskiy Wasi Tiyana diseñonqa Tiyarina Kamay Atipanakuy T'aqapi 2026 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.

QuriTiyarina· 2026

GGO Biomorphic Ñawpaq Ruray: Chaskiy Wasi Tiyana

Yoko Komatsu and Hajime Tokura rurasqa

Mañakuq: Grand Green Osaka JV Group

Tiyarina T'aqapi A' Design Award Quri Premiu Atipaq

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Taripasqa Premio Atipaq

#180101 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

GGO Biomorphic Ñawpaq Ruray: Chaskiy Wasi Tiyana nisqamanta

Qillqasqa: Grand Green Osaka nisqapi kachkan, kay 16 metroyuq kawsaymanta rikchakuq tiyanaqa Japón roblemanta rurasqa. Sumaq digital ruraywanmi 6,000 sapaqsapaq kutispaña rurasqa yanapakuna 29 organiku huñunakunaman huñusqa. Llapan fierromanta watanakunaqa allinta pakasqa huk pakasqa tinkiy sistemawan. Kay kuchusqa runapa tiyananpi, ñawpaq maki ruray parametriku computacional diseñowan huñusqa. Chaskiy wasi ukhupi samana tiyana hinataq mallki churana hinapas llamkananpaq wakichisqa.

Riqsichiy

A' Design Award Quri Premiu nisqamanta

GGO Biomorphic Ñawpaq Ruray: Chaskiy Wasi Tiyana A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. GGO Biomorphic Ñawpaq Ruray: Chaskiy Wasi Tiyana ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. GGO Biomorphic Ñawpaq Ruray: Chaskiy Wasi Tiyana munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Tupukuna & P'istuy: Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Etiquetakuna: Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Ruway Tecnología: The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Diseño Sasachakuy: The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
T'aqwiy: Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
Kallpachay: Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Llamk'ay Pacha: The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
Purichiy Puriy: Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Patentekuna: Copyrights belong to KOKUYO Co., Ltd., 2025.
Huñu Runakuna: Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao
Siq'i Hayñikuna: Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.