The Ori Igishushanyo mbonera cy'imbere mu nzu yo Kuba na Zouii Design

Umushinga The Ori Igishushanyo mbonera cy'imbere mu nzu yo Kuba wa Zouii Design ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

BuronzeImbere y'Inyubako· 2025

The Ori Igishushanyo mbonera cy'imbere mu nzu yo Kuba

na Zouii Design

Umukiriya: Zouii Design

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

11,475

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #168797

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye The Ori Igishushanyo mbonera cy'imbere mu nzu yo Kuba

Ori ni igishushanyo mbonera cy'imbere mu nzu yo kuba, cyakorewe inzu ifite ubuso bwa metero kare 112.3 muri Taiwan. Iyi nzu igizwe n'ibyumba bitatu byo kuraramo, icyumba cyo kwakirwamo abashyitsi, ahantu ho kurira, n'ibyumba byo kwiyuhagirira bibiri. Urumuri ni rwo rwerekana uko byubatswe. Itara ryo mu buryo bwa Kijapani ryerekana aho winjirira, amadirishya agera hejuru kugeza hasi yerekana uruzi rwa Yanshuei, naho igisenge cyagoramye kigenzura urumuri rukagera aho hariwa. Iki gisenge kigoramye kandi gihisha imiyoboro y'amazi yo mu gikoni mu gihe hakomeza kubungabungwa uburebure bw'icyumba. Inkuta zarangijwe n'irangi ry'amabuye ryera nk'amata, naho amategura y'ibitare byashushanyijwe nk'inzoka atwikiriye hasi h'aho winjirira. Ibyumba bibiri byo kubikamo ibintu byasimbuye amashelufu ahoraho.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

The Ori Igishushanyo mbonera cy'imbere mu nzu yo Kuba ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. The Ori Igishushanyo mbonera cy'imbere mu nzu yo Kuba biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. The Ori Igishushanyo mbonera cy'imbere mu nzu yo Kuba ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: This project's design strategy forgoes strict stylistic constraints, instead weaving a spatial language imbued with the patina of time, inspired by the homeowner's love for European vintage furniture. By balancing the tranquility of Japanese aesthetics with Scandinavian simplicity, the space merges historical depth with contemporary sensibilities. Light plays a key role: a Japanese pendant defines the entrance, floor-to-ceiling windows frame the Yanshuei River, and a curved ceiling guides illumination toward the dining area. The layout was reimagined by swapping the TV and sofa, enhancing flexibility for future adaptations.
Ibipimo n'Ipaki: The site spans 112.3 square meters, featuring three bedrooms, a living room, a dining area, and two bathrooms. To enhance flexibility, the design team reduced the study's size, allowing it to function as a guest or children's room in the future. The dining table was repositioned into the social area, making it a central hub for family activities rather than a separate space. Additionally, two independent storage rooms replaced fixed cabinetry, ensuring ample storage while preserving openness and spatial fluidity, creating a more adaptable and harmonious living environment.
Ibibazo Fatizo: Light Tone, Light and Shadow, Subtractive Design, Eco-friendly Building Materials, Open Plan, Reduced Design.
Ikoranabuhanga ryo Guteza Imbere: The project's material selection focuses on natural textures and a composed aesthetic, using low-saturation tones to highlight the depth of time. The walls feature mineral paint in a milky white hue with gray undertones, creating a refined yet warm visual experience. Serpentine-patterned ceramic tiles in the entrance mimic natural stone veining, fostering a tranquil yet intricate transition. Wood and zebra patterns introduce a striking yet balanced contrast, enhancing the space with meticulous detailing. Through these elements, the design achieves a harmonious blend of subtle texture and visual depth.
Ikibazo cy'Ishusho: The greatest technical challenge of this project lay in the complexity of the kitchen's piping system. Originally, multiple pipelines were dispersed across the kitchen ceiling, requiring the design team to balance the need for concealment with the preservation of a sense of height. Ultimately, by incorporating curved ceiling elements, the design successfully minimized the visual impact of the piping. The seamless circulation, combined with a comfortable ceiling height, further enhanced the spatial fluidity.
Ubushakashatsi: This project's design concept emphasizes 'the narrative of light and shadow' and 'subtractive design,' achieving a balance between functionality and poetic expression. Furniture revolves around the homeowner's antique European collection, seamlessly blending with Scandinavian simplicity to evoke historical warmth and modern refinement. The dining area reinforces this philosophy, using a composed backdrop that allows furnishings to shape the living narrative. By integrating light, materials, and circulation, the design crafts a space that transcends mere form, creating a harmonious and immersive experience.
Ibyatumye Habaho: A home is more than its structure and layout; it is a dynamic space filled with personal memories and emotions. This project's design concept revolves around the interplay of light, materials, and spatial flow, shaping an environment that reflects the resident's unique character. Named 'Ori,' meaning 'light' in Hebrew, the project symbolizes the fluidity of daily life illuminated by light. Envisioned in 2022, The Ori was designed as a sanctuary where light, shadow, people, and objects engage in a continuous dialogue, fostering harmony and an ever-evolving living experience.
Igihe cy'Umushinga: The project finished in January 2024 in Taiwan.
Uburyo bw'Imikorere: Six months after completion, a follow-up visit revealed that the homeowner had already begun adjusting the furniture layout, responding to natural light, mood, and daily needs to create a more personalized living space. They praised the storage room design, noting its flexibility exceeded expectations by enhancing storage efficiency while maintaining visual simplicity. With clutter neatly organized, natural light flowed more freely, enriching the home's ambiance. This evolving interaction between space and inhabitant affirmed the design's success in fostering adaptability and harmony in daily life.
Abagize Itsinda: Ching-Yi Lin, Hsien-Ming Hsu, Yi-Hong Tsai, Hsiu-Ting Hsieh
Abafotoye: Uncolored Studio