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Light Field Umwubatsi w'imbere mu biro na Wei Ting Mou and Ze Li Peng - Puyu Design

Umushinga Light Field Umwubatsi w'imbere mu biro wa Wei Ting Mou and Ze Li Peng - Puyu Design ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.


BuronzeImbere y'Inyubako· 2025

Light Field Umwubatsi w'imbere mu biro

na Wei Ting Mou and Ze Li Peng - Puyu Design

Umukiriya: PUYU Interior Design

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

9,330

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #168886

Amabara

Imigereranyo

Ibyerekeye Light Field Umwubatsi w'imbere mu biro

Light Field ni umwubatsi w'imbere mu biro biherereye muri Taiwan, ku mwanya wahoze ari uruganda rukora ibyuma bya feri. Ahantu hafite ubuso bwa metero kare zigera kuri 132.2 kandi hakoreshwa nk'ahantu h'akazi ndetse n'ubwiherero bw'ibikoresho by'ubwubatsi bw'ibiti binini by'umuntu nyir'ubwite. Ikaunta ifite imiterere ya L y'ibara ry'ubururu bwijimye n'intebe z'umuhondo bigaragaza agace k'akwakira abashyitsi. Amakabati y'icyuma yasizweho titanium agabanya agace k'ibiro n'agace k'ibiganiro, ariko akomeza gutuma umwanya ufunguye. Ubuso bwubatswe hakoreshejwe cement mortar iringaniza n'amadirishya manini bifasha mu gukomeza isano hagati y'ahantu ndetse n'urumuri rusanzwe. Imiryango ipfundikiye ifite imiterere igoramye iyobora inzira hagati y'ibice bitandukanye.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Light Field Umwubatsi w'imbere mu biro ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Light Field Umwubatsi w'imbere mu biro biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Light Field Umwubatsi w'imbere mu biro ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe
To break the rigidity of conventional office layouts, the designers adopted a 'deconstructed circulation' approach, using non-linear visual axes for a dynamic spatial experience. The reception area features a bold blue L-shaped bar as the focal point, complemented by yellow seating, balancing vitality and rationality. Titanium-plated metal cabinets subtly divide office and discussion zones, maintaining openness while ensuring privacy. Large wooden furniture pieces from the owner's collection were placed to highlight their natural textures.
Ibipimo n'Ipaki
The space spans approximately 132.2 square meters and initially had no clear layout plan. The designers employed a 'layered' approach to organize the flow, enabling visitors to transition gradually from the open entry area to the semi-private office, and further into the exclusive collection display area. Curved archways serve as transitional mediums, showcasing smooth lines that guide visitors seamlessly through the space. This unobstructed visual guidance also enhances the overall narrative of the space.
Ibibazo Fatizo
Modern Design, Color Flash Design, Artwork, Crude Wood Furniture, Curved Elements, Bright Lighting.
Ikoranabuhanga ryo Guteza Imbere
The project skillfully balances contrast and harmony through diverse materials. Self-leveling cement mortar flooring enhances tactile delicacy and spatial continuity, while large glass windows maximize natural light, reducing the need for artificial illumination. Dark wooden desks complement wall art, establishing a stable, layered ambiance. The color strategy follows a 'warm-cool balance' principle, where the deep blue reception bar contrasts with the natural wood-toned office area, with gray-white flooring as a neutral bridge, creating a modern yet inviting atmosphere.
Ikibazo cy'Ishusho
Integrating the owner's collection of large wooden furniture with modern design posed a challenge. The designers used materials like titanium-coated metal partitions and wooden tables to harmonize the old and new. Since the furniture varied in height and form, custom curved steps were created in the discussion area to adjust the furniture to ergonomic standards. Strategic lighting was used to highlight these steps, enhancing spatial dynamics and reinforcing the interaction between the host and visitors, ensuring comfort and functionality.
Ubushakashatsi
Interior design goes beyond functionality, engaging users through aesthetic narratives that reveal the space's fluidity under different lights and angles. Situated amidst open fields with a city view, the site presents an intriguing contrast. The designers embraced this by blending modern design with wooden furniture, embodying the theme of 'admiring art amidst scenic fields' the project's name, Light Field, Art View. Curved archways and a layered color scheme enhance depth, while a thoughtful lighting plan adds warmth and drama.
Ibyatumye Habaho
Located amidst open fields, the site was once a tin sheet factory and has been carefully transformed into a workspace that balances functionality with artistic refinement. The owner, passionate about wooden artworks and contemporary design, envisioned the office as both a workspace and a gallery for their collection. The designers embraced an 'object-driven space' concept, using wood's texture, color, and form to unify the design. This approach blends traditional craftsmanship with modern architectural aesthetics, creating a space that embodies both creativity and practicality.
Igihe cy'Umushinga
The project finished in November 2024 in Taiwan.
Uburyo bw'Imikorere
The owner highly praised the outcome, recognizing that the project successfully avoided the rigidity typical of conventional offices and created a work atmosphere that is both functional and sensuous through the layering of visual and tactile elements. Furthermore, the design also took into consideration the need for multifunctional use, including areas for immediate staff interaction, private meetings, and a relaxation zone, shaping an office that adapts to various scenarios.
Abagize Itsinda
Wei-Ting Mou, Ze-Li Peng
Abafotoye
PUYU Interior Design

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