Clay Moulded Igishushanyo mbonera cy'Imbere mu Nzu y'Ikinamico na Marius Mateika

Umushinga Clay Moulded Igishushanyo mbonera cy'Imbere mu Nzu y'Ikinamico wa Marius Mateika ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

ZahabuImbere y'Inyubako· 2025

Clay Moulded Igishushanyo mbonera cy'Imbere mu Nzu y'Ikinamico

na Marius Mateika

Umukiriya: Mama architects

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Imbere y'Inyubako

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Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Clay Moulded Igishushanyo mbonera cy'Imbere mu Nzu y'Ikinamico

Clay Moulded ni igishushanyo mbonera cy'imbere mu nzu y'ikinamico y'umuziki i Klaipeda, muri Lituwaniya. Ibumba ryatwikiriye inkuta n'igisenge, kandi toni zirenga 30 z'iryo bumba zashyizweho n'amaboko. Ishusho y'icyumba kinini ikomeza itagira aho ihagarara, ihera ku ruhande rumwe rw'umwanya ikagera ku rundi. Uburyo bwo gusiga bugizwe n'ibyiciro birindwi bwakozwe kubw'uyu mushinga, bukubiyemo gutera, gushushanya, kumisha, gukuraho ibitakenewe, gusiga ibinyeganyeza n'kubungabunga. Inkuta n'igisenge bishobora gufunguka no gufunga kugira ngo bigenzure uko amajwi asubira inyuma, ku buryo umwanya wihuza n'ibitaramo, ikinamico n'inama. Icyumba cy'abarebera gifite intebe 700.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

Clay Moulded Igishushanyo mbonera cy'Imbere mu Nzu y'Ikinamico ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Clay Moulded Igishushanyo mbonera cy'Imbere mu Nzu y'Ikinamico biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Clay Moulded Igishushanyo mbonera cy'Imbere mu Nzu y'Ikinamico itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Ibipimo n'Ipaki: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Ibibazo Fatizo: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Ikoranabuhanga ryo Guteza Imbere: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Ikibazo cy'Ishusho: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Ubushakashatsi: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Ibyatumye Habaho: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Igihe cy'Umushinga: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Uburyo bw'Imikorere: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Abagize Itsinda: Architects: Marius Mateika
Abafotoye: Photographer: Leonas Garbačauskas