Frequency Imirimo y'ibanze: Ibikoresho byo mu nzu na Sebastián Ángeles

Umushinga Frequency Imirimo y'ibanze: Ibikoresho byo mu nzu wa Sebastián Ángeles ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

IfezaImitako· 2026

Frequency Imirimo y'ibanze: Ibikoresho byo mu nzu

na Sebastián Ángeles

Umukiriya: Sebastián Ángeles

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imitako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #174011

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Frequency Imirimo y'ibanze: Ibikoresho byo mu nzu

Inyandiko y'igitabo: Frequency ni icegeranyo cy'ibikoresho byo mu nzu cy'umubare ugarukira kirimo intebe yo kuruhukira, itara, intebe, n'agameza ko ku ruhande, buri kimwe gihumekewe n' amajwi y'inkurubindi ajyanye no gukira no kuringaniza amarangamutima. Byakozwe muri aluminiyumu yasukuye, ibi bice byateguwe hifashishijwe ibikoresho byerekana amajwi n'ubwubatsi bwa digitale, hanyuma bikorwa hifashishijwe uburyo gakondo bwo gushongesha. Iki cegeranyo gihindura amajwi adafatika ahinduka uburyo bufatika, bw'ubwiza bw'ibishushanyo bitumira ubufatanye bw'ibyiyumvo n'isano y'amarangamutima.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Frequency Imirimo y'ibanze: Ibikoresho byo mu nzu ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Frequency Imirimo y'ibanze: Ibikoresho byo mu nzu biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Frequency Imirimo y'ibanze: Ibikoresho byo mu nzu ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Frequency 2.0 fuses sound frequency aesthetics with sensory and emotional well-being. Featuring a lounge chair, lamp, chair, and side table, all crafted in polished aluminum, each piece reflects specific healing frequencies. The collection blends experimental design, artisanal tradition, and cutting-edge technology, creating sculptural objects that elevate emotional perception through tactile and visual resonance.
Ibipimo n'Ipaki: 432Hz Lounge Chair: approx. 850 x 600 x 700 mm
741Hz Lamp: approx. 300 x 300 x 450 mm
396Hz Chair: approx. 760 x 550 x 530 mm
528Hz Side Table: approx. 470 x 180 x 210 mm
All pieces are made of aluminum and finished by hand.
Ibibazo Fatizo: Healing sound design, Emotional resonance furniture, Cymatics in design, Aluminum craftsmanship, Mexican design heritage, Ergonomic sculptural pieces, Limited edition furniture, Wellness and design, Sound visualization, Sensory furniture interaction
Ikoranabuhanga ryo Guteza Imbere: The Frequency collection is an experimental design proposal that combines art and functionality, drawing inspiration from sound frequencies to promote healing and well being. Using advanced technology, such as sound visualizers, the ergonomic shapes of the pieces were designed to adapt to the body, creating a balanced emotional and physical experience. The use of aluminum, crafted with artisanal techniques, not only highlights the tradition of pre Hispanic metallurgy enriched by Spanish influence but also explores the contemporary possibilities of this noble material. These limited edition sculptural objects stand out for their technical precision and their ability to bring a sense of calm and harmony to the spaces they inhabit. This innovative collection reflects a balance between tradition and technology, achieving unique furniture pieces that connect design with profound emotions and cultural heritage.
Ikibazo cy'Ishusho: The main challenge was materializing invisible sound frequencies into ergonomic and symbolic forms. Internally, the design had to balance cultural references and modern aesthetics. Externally, aluminum casting required precise execution to maintain both structural integrity and surface quality, blending experimental methods with traditional metalwork to achieve emotional resonance.
Ubushakashatsi: Experimental design research translated sound frequencies into visual and ergonomic forms using sound visualizers. Focused on emotional healing through interaction, the project mapped frequencies such as 432Hz and 741Hz into material patterns. Research participants reported enhanced sensory and emotional response. The study bridges aesthetics, psychology, and artisanal techniques for well-being through design.
Ibyatumye Habaho: The idea is to explore how the intangible, like sound, can be transformed into a physical and perceptible form. Inspired by the transformative power of healing sound frequencies, Frequency 2.0 explores how resonance can be translated into physical form. Drawing from cymatics and spiritual acoustics, the project visualizes frequencies like 432Hz and 741Hz through sound visualizers, creating objects that channel emotional balance and clarity. The inspiration lies in creating emotional connections through sensory interaction and intentional form.
Igihe cy'Umushinga: The project began in January 2024 and concluded in May 2025 in Mexico City. Frequency 2.0 was presented in June 2025 as a continuation of Sebastian Angeles’ exploration of the relationship between sound and matter.
Uburyo bw'Imikorere: Each piece invites tactile and emotional interaction. The chairs’ ergonomic shapes adapt to the body, offering comfort and symbolic resonance. The lamp creates ambient calm through diffused light, while the side table’s surface evokes harmony. Aluminum amplifies sensory cues with subtle vibrations, reinforcing the connection between user, space, and sound-based intention.
Abagize Itsinda: Sebastian Angeles
Abafotoye: Image #1: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #2: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #3: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #4: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #5: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.