Yina Hwang ᱨᱮᱱᱟᱜ Utopia ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱞᱩᱜᱽᱲᱤ ᱜᱩᱴ

Yina Hwang ᱨᱮᱱᱟᱜ Utopia ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱞᱩᱜᱽᱲᱤ ᱜᱩᱴ ᱫᱚ ᱯᱷᱮᱥᱚᱱ, ᱞᱤᱡᱟᱹ ᱟᱨ ᱵᱟᱥᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱨᱩᱯᱟᱯᱷᱮᱥᱚᱱ· 2020

Utopia ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱞᱩᱜᱽᱲᱤ ᱜᱩᱴ

Yina Hwang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Yina Hwang

ᱯᱷᱮᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#102138 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Utopia ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱞᱩᱜᱽᱲᱤ ᱜᱩᱴ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱚᱶᱟ ᱜᱩᱴ ᱨᱮ, ᱭᱤᱱᱟ ᱦᱣᱟᱝ ᱫᱚ ᱢᱩᱬᱩᱛ ᱞᱮᱠᱟᱛᱮ ᱥᱚᱢᱚᱢᱤᱛ ᱟᱨ ᱚᱥᱚᱢᱚᱢᱤᱛ ᱥᱮᱪᱮᱫ ᱠᱷᱚᱱ ᱯᱨᱮᱨᱚᱬᱟ ᱦᱟᱛᱟᱣ ᱞᱮᱱᱟ, ᱟᱫᱚ ᱚᱱᱰᱚᱨᱜᱨᱟᱩᱱᱰ ᱥᱮᱨᱮᱧ ᱞᱟᱠᱪᱟᱨ ᱨᱮᱭᱟᱜ ᱪᱷᱩᱸᱴ ᱥᱟᱶ᱾ ᱩᱱᱤ ᱱᱚᱶᱟ ᱜᱩᱴ ᱫᱚ ᱟᱡᱟᱜ ᱟᱡ ᱜᱮ ᱢᱟᱱᱟᱣ ᱵᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱢᱩᱬᱩᱛ ᱚᱠᱛᱚ ᱪᱮᱛᱟᱱ ᱨᱮ ᱛᱮᱭᱟᱨ ᱞᱮᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱠᱟᱹᱢᱤᱭᱟᱹ ᱛᱚᱵᱮ ᱮᱵᱽᱥᱴᱨᱟᱠᱴ ᱞᱩᱜᱽᱲᱤ ᱟᱨ ᱥᱟᱡᱟᱣ ᱥᱟᱢᱟᱱ ᱨᱮᱭᱟᱜ ᱜᱩᱴ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱚᱱᱩᱵᱷᱚᱵᱽ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱦᱱᱤ ᱢᱩᱨᱛᱤᱢᱟᱱ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱮᱭᱟᱜ ᱡᱷᱚᱛᱚ ᱯᱨᱤᱱᱴ ᱟᱨ ᱠᱟᱯᱲᱟ ᱫᱚ ᱟᱥᱚᱞ ᱟᱨ ᱤᱱᱟᱹ ᱜᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱢᱩᱬᱩᱛ ᱞᱮᱠᱟᱛᱮ PU ᱪᱟᱢᱰᱟ, ᱥᱮᱴᱤᱱ, ᱯᱟᱣᱟᱨ ᱢᱮᱥ, ᱟᱨ ᱥᱯᱮᱱᱰᱮᱠᱥ ᱠᱟᱯᱲᱟ ᱨᱮᱭᱟᱜ ᱵᱩᱱᱤᱭᱟᱹᱫᱽ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱞᱮᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Utopia ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱞᱩᱜᱽᱲᱤ ᱜᱩᱴ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Utopia ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱞᱩᱜᱽᱲᱤ ᱜᱩᱴ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The designer was brought up in a Korean society where everybody demanded perfection in appearance. Since young, her asymmetrical face made her feel like she was ugly or not up to society’s demand of perfection. That put her in a box where it restricted her freedom of thought and expression. Yina curated this collection based on her pivotal moment of self embracement while she was traveling the world in 2018, to create the functional yet abstract garments to embody the story of her experience.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: US size 2 to 6
ᱴᱮᱜ ᱠᱚ: Embracement, Self-empowerment, Balance, Symmetricity, Asymmetricity
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: To start this collection, I self-experimented by going towards the other end of the spectrum of what society views as “perfect” by using surgery tape to distort my physical appearance to lay down the foundation of what I will be creating. The distortion led to the collages. The collages led to the prints which also created the silhouettes to my initial prototypes. Every print and fabric in the project is original and I mainly used PU leather, Satin, Power Mash, and Spandex for the base of the fabrics.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The challenge was getting the right prints on the right fabric. Every fabric has a different result of prints and has a different approach to sewing. I went through a series of fabric tests and garment prototypes to reach the final result.
ᱜᱚᱵᱮᱥᱚᱱᱟ: As I immersed myself into the underground music culture, I was inspired by how people with different backgrounds, shapes, colors, genders, and sexuality are embraced under one roof and it led me to a self-empowering moment. I researched its culture, how diverse people live and what they wear. These researches and experiments laid down the foundation of this project.
ᱯᱨᱮᱨᱚᱱᱟ: This project was mainly inspired by the shapes that are symmetric and asymmetric with a touch of underground music culture. Depending on the line of division, a symmetrical shape can be simultaneously asymmetric. It’s all about how you choose to perceive it. Every shape has its own beauty and every beauty has it’s own shape. This project aims to break down the wearer’s restriction for the freedom of expression, and help the wearers bring out their own spirits.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: This project started in September 2018 and finished in January 2020 in New York and was presented in New York Fashion Week on February 7th, 2020 in New York, USA.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: Some of the garments can transform the shapes by attaching/detaching fabric panels using snaps.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyrights belong to Yina Hwang, 2020.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1: Photographer John Carlo, 2019
Image #2: Photographer John Carlo, 2019
Image #3: Photographer John Carlo, 2019
Image #4: Photographer John Carlo, 2019
Image #5: Photographer John Carlo, 2019