ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ana Maria Reque ᱨᱮᱱᱟᱜ Meduse ᱢᱮᱰᱩᱥᱮ ᱨᱮᱬᱟ ᱠᱟᱹᱢᱤ

Ana Maria Reque ᱨᱮᱱᱟᱜ Meduse ᱢᱮᱰᱩᱥᱮ ᱨᱮᱬᱟ ᱠᱟᱹᱢᱤ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2021

Meduse ᱢᱮᱰᱩᱥᱮ ᱨᱮᱬᱟ ᱠᱟᱹᱢᱤ

Ana Maria Reque ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Ana Maria Reque Art

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#104827 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Meduse ᱢᱮᱰᱩᱥᱮ ᱨᱮᱬᱟ ᱠᱟᱹᱢᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱮᱰᱩᱥᱮ ᱢᱮᱲᱮᱫ ᱦᱚᱨᱟ ᱠᱚ ᱠᱷᱚᱱ ᱩᱫᱷᱩᱵ ᱟᱠᱟᱱ ᱢᱤᱫ ᱨᱮᱬᱟ ᱰᱤᱵᱟ ᱠᱟᱹᱱᱟᱭ ᱾ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱴᱩᱠᱨᱮ ᱨᱟᱠᱩ ᱠᱚᱰᱚᱢ ᱟᱨ ᱢᱩᱨᱟᱱᱚ ᱠᱟᱸᱪ ᱨᱮᱭᱟᱜ ᱢᱟᱲᱟᱝ ᱟᱠᱟᱱ ᱴᱮᱱᱴᱟᱠᱚᱞ ᱛᱮ ᱢᱤᱥᱟᱹ ᱮᱢᱟᱹᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱵᱟ ᱚᱲᱟᱜ ᱥᱤᱛᱟᱨ ᱟᱨ ᱚᱲᱟᱜ ᱵᱟᱦᱨᱮ ᱵᱟᱨ ᱴᱟᱲᱟᱝ ᱨᱮ ᱵᱮᱵᱦᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱦᱮᱸ ᱢᱮᱱᱟᱜᱼᱟ ᱟᱨ ᱦᱮᱸᱫᱮ ᱵᱮᱸᱰᱟᱛᱮᱭᱟᱜ ᱨᱮᱭᱟᱜ ᱴᱚᱴᱴᱟ ᱠᱚᱨᱮ ᱟᱨᱟᱝ ᱟᱨ ᱪᱷᱟᱭᱟᱹ ᱨᱮᱭᱟᱜ ᱵᱟᱵᱚᱛ ᱮᱢᱟᱹᱠᱟᱱᱟ ᱾ ᱵᱟᱦᱩ ᱨᱚᱸᱜ ᱮᱞᱤᱰᱤ ᱟᱨᱟᱝ ᱠᱚ ᱨᱤᱢᱚᱴ ᱠᱚᱱᱴᱨᱚᱞ ᱛᱮ ᱴᱷᱤᱠ ᱠᱟᱱᱟ ᱦᱚᱸᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱠᱚᱰᱚᱢ ᱨᱮᱭᱟᱜ ᱦᱚᱲᱢᱚ ᱞᱟᱦᱟ ᱨᱮᱦᱚᱸ ᱵᱟᱸᱪᱟᱣ ᱠᱟᱱᱟ, ᱚᱨᱟᱜ ᱟᱠᱟᱱᱟ, ᱮᱸᱜᱟ ᱟᱠᱟᱱᱟ, ᱜᱞᱮᱡᱽ ᱠᱟᱱᱟ ᱟᱨ ᱫᱚ ᱴᱷᱟᱨ ᱚᱠᱛᱚ ᱮᱸᱜᱟ ᱠᱟᱱᱟ ᱬᱮᱛᱮ ᱜᱟᱨᱟᱫᱮ ᱥᱮᱴᱮᱞᱥᱤᱭᱟᱥ (930°C) ᱚᱠᱛᱚ ᱪᱮᱛᱟᱱ, ᱟᱨ ᱦᱚᱭ ᱨᱟᱠᱟᱵᱮᱱ ᱛᱟᱦᱮᱸ ᱚᱨᱚᱱ ᱠᱷᱚᱱ ᱮᱴᱟᱜ ᱮᱢᱟᱹᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱛᱟᱛᱮ ᱫᱚ ᱛᱟᱦᱮᱸ ᱡᱷᱟᱹᱴᱠᱟ ᱨᱮᱱᱟᱜ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱨᱮ ᱨᱟᱠᱟᱵ ᱠᱟᱱ ᱪᱮᱛᱟᱱ ᱟᱨ ᱟᱴᱛᱚᱨ ᱨᱚᱸᱜ ᱨᱮᱭᱟᱜ ᱪᱚᱠᱟᱭ ᱠᱚ ᱩᱫᱩᱜ ᱠᱟᱱᱟ ᱾

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A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Meduse ᱢᱮᱰᱩᱥᱮ ᱨᱮᱬᱟ ᱠᱟᱹᱢᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Meduse ᱢᱮᱰᱩᱥᱮ ᱨᱮᱬᱟ ᱠᱟᱹᱢᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Global design and local identities,they are collector's pieces.
Two identities, Peru and Italy two different cultures highly integrated in the Medusa lamps, after a process of deconstruction and liberation from history for giving space to a new syncretic language.
Integration of two materials only ceramic Peru and Murano glass, harmonized thanks to the reflections of multicolored Led lighting.
Raku process during the heat shock, the flames and the oxygen reduction method at 930 degrees celsius, are decisive for both the craquelure decorative effect and metallic and iridescent reflections.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Materials: Raku ceramic, Murano glass, multicolored Led RGB
Dimensions: 36 cm (diameter) 48 cm (height)
Weight: 4 kg. each one
ᱴᱮᱜ ᱠᱚ
Muranoglass, madeinItaly, theveniceglassweek 2020, venicedesignweek 2016, anamariarequeart,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
After the modelling with refractory clay, I begin a deconstruction process of the traditional shape, a 20 day long drying process begins. I go on with the first cooking at 950 degrees celsius, the glazing process and the second cooking into a Raku oven at 930 degrees celsius. The object is removed still white-hot from the oven. Arrangement of the Led lighting system and finally the insertion of the Murano blown glass tentacles.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Take the pieces out of the oven at 940 degrees celsius and quickly manage the thermal shock in three minutes.
The integration of the glass tentacles on the ceramic base.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The goal is to create lamps that integrate Art and Design. The method is transversal by integrating two techniques ceramics with Murano glass; Through the Deconstruction of art, a process of liberation from the traditional historical form begins to give way to a new syncretic language. Two readings: Fusion of different techniques and cultures and Safeguarding the oceans, a tropicalization of the Mediterranean is occurring.The lamp has had a positive impact in Milan and in the VeniceGlassWeek 2020
ᱯᱨᱮᱨᱚᱱᱟ
The Marine Habitat, I conceive my works as reflections of a recreated nature, the connection between nature and culture is a constant in my work. I work across different disciplines.I began a path of alienation from the Traditional shape in order to give way to a new syncretic language by the deconstruction of the art.
The work communicates two levels of interpretation:
Fusion and integration of two cultures, Peru and Italy.
Safeguarding seas and oceans: a Tropicalization of the Mediterranean sea is occurring.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Modeled with clay: 12 days
Drying: 20 days
Blown glass processing: 7 days
Location: Lido of Venice and Murano,Italy
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The object can be used as an Indoor and Outdoor Lamp. The lamp is suitable for creating new atmospheres with light and shadow effects on the wall. The user can interact by changing different colors using the remote control.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Camara di Commercio di Venezia, Modello multiplo VE2015O000008
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Ana Maria Reque, Glassmaker Paolo Giubelli
Photographer Gino Gabrieli
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photocredit: Gabrieli Gino

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ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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